Shyamalan again proves that he's a master of suspense and dread, and a great student of film.
Signs (2002)
Tomatometer
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Reviews Counted:218
Fresh:161
Rotten:57
Average Rating:6.8/10
Consensus: With Signs, Shyamalan proves once again an expert at building suspense and giving audiences the chills.
Runtime: 1 hr 46 mins
Genre: Science-Fiction/Fantasy
Synopsis: It's contaminated. That's what pint-sized Bo (Abigail Breslin) says about every glass of water that she tries to drink, then rejects. This is just one in a long list of strange occurrences that are... It's contaminated. That's what pint-sized Bo (Abigail Breslin) says about every glass of water that she tries to drink, then rejects. This is just one in a long list of strange occurrences that are changing the lives of the Hess family. Things go awry when Graham Hess (Mel Gibson) and his brother, Merrill (Joaquin Phoenix), awake early one morning to find the dogs barking and the children--Bo, and her brother Morgan (Rory Culkin)--wandering bleary eyed in the corn fields. They discover a pattern of perfectly carved crop circles left the night before. Trying not to overreact, Graham ignores the media frenzy that has permeated all television and radio stations, and even shrugs off the oddly familiar information that Morgan reads in his book about extraterrestrials invading earth. The real challenge for Graham is to find the faith he needs to pull himself, and his family, through this unexplainable series of events. SIGNS is the long-anticipated film from writer-director M. Night Shyamalan (THE SIXTH SENSE, UNBREAKABLE), a suspenseful and uniquely chilling family story. [More]
Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin
Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin, Cherry Jones, M. Night Shyamalan, Patricia Kalember
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Producer: Frank Marshall, Sam Mercer
Composer: James Newton Howard
Studio: Touchstone Pictures
Reviews for Signs
Leave it to M. Night Shyamalan to take our expectations for a movie, turn them upside down, and still deliver a work surpassing anything we’d dared hope for.
Most of the film is quite entertaining, mixing scares with welcome bits of humor, but the ending fizzles.
Shyamalan comes roaring back with the scariest movie I've seen since The Others.
An old-fashioned scary movie, one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts.
The ham-fisted tale is so overdone it borders on insulting, with more than a few odd missteps denting the film along the way.
Shyamalan is a considerable talent, but he's become too powerful too young. The sign I discern hanging over his career at the moment reads Wrong Way.
The film abandons its delicate ambiguities, its focus on everyday things, to deliver a resolution whose structure can only look contrived and reductive.
Hollywood has taken quite a nosedive from Alfred Hitchcock's imaginative flight to Shyamalan's self-important summer fluff.
It has a way of seeping into your consciousness, with lingering questions about what the film is really getting at.
The problem is that Signs manages to be both so terribly serious and so unimportant at the same time.
A beautifully crafted, white-knuckle, roller-coaster ride of old-school filmmaking.
Shyamalan understands the power of suggestion better than most directors, showing only as much as necessary to feed the suspense.
The work of a born filmmaker, able to summon apprehension out of thin air.
It's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5.
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