Nossiter deserves kudos for being willing to tell stories about characters that aren’t twentysomething hard bodies, but rather mature adults.

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Rampling, to her credit, helps hold the nuthouse together.

There's a potentially good film struggling to get out of an overly self-conscious director's grip here.

Signs takes us into Alec's confused head, and, although it can be disturbing there, it's never dull.

Until it devolves into what seems like a quasi-surreal Fatal Attraction ... offers a stark, spooky portrait of family fracture and loss.

Has extraordinary depth and insight about the limitations and follies of human beings.

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For all its ambition and richness of style, Signs & Wonders never shows us what's inside Alec.

I hate to drag out that word again, but it's seriously needed here: pretentious.