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Movies / Upcoming / Simon Magus
Simon Magus

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Simon Magus (2001)

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Reviews Counted:29

Fresh:18

Rotten:11

Average Rating:5.6/10

Consensus: This debut film of Ben Hopkins' effectively evokes an atmosphere of magic and mysticism.

Genre: Dramas

Synopsis: Set in a small village in late 19th century Europe, SIMON MAGUS is a dark fable of love, demonology, and supernatural business practices. Simon Magus (Noah Taylor) is both visionary and outcast, a... Set in a small village in late 19th century Europe, SIMON MAGUS is a dark fable of love, demonology, and supernatural business practices. Simon Magus (Noah Taylor) is both visionary and outcast, a man possessed by strange dreams that include mystical conversations with a demonic presence named Sirius (Ian Holm). Believing him to be possessed by the Devil, Simon's fellow villagers taunt and persecute him as he performs menial tasks for them to earn his daily bread. The village elders won't even allow Simon to pray with them in temple. The village is in a state of economic crisis. The traditional through trade has been siphoned off by the newly constructed railroad, and without its own train station, Simon's village is cut off from the outside world both economically and socially. Power and prosperity belong to the man who can build the railway station, but the local squire, a poetry-loving aesthete (Rutger Hauer) owns the land by the railroad and must be petitioned to grant the rights to it. Two men approach the squire with plans for a railway station. Ruthless merchant Maximilian Hase (Sean McGinley) seems the obvious choice for the man to bring the village into modern times: a florid, fatuous businessman who already owns half the town. His only rival is Dovid, a young Jewish scholar (Stuart Townsend) with no experience in business. Dovid hopes that his ambitious plan to build the railway station will unite the village, rich and poor, Jew and Gentile alike, as well as convince the beautiful widow Leah (Embeth Daviditz) to marry him. Leah is suspicious of Dovid’s courtship, convinced that he’s really in love with young Sarah (Amanda Ryan). Unbeknownst to Leah, Sarah is becoming involved with the Squire, who, despite being much older than her, shares her love of literature and poetry. Hase is furious that Dovid has decided to compete with him, and attempts to sabotage his rival's plan with a ruse designed to play on anti-Semitic sentiment among the town's Gentiles. Simon's unusual position in the village gives him access to the secrets of the people and Hase takes advantage of Simon's vulnerability and enlists him as a spy and traitor against Dovid. Simon, mocked and abused by his own people, seems eager to turn against them at first, but there's more than meets the eye. Simon becomes both pawn and player in Hase's scheme, foiling the plan with his unsuspected cunning. British writer/director Ben Hopkins' first feature film is a mix of horror, fantasy and romance and misty atmosphere reminiscent of the work of Tim Burton and Terry Gilliam. In a world of repression and superstition, chaos and magic can surface at any time. -- © 2001 Fireworks Pictures [More]

Starring: Noah Taylor, Stuart Townsend, Sean McGinley, Embeth Davidtz

Starring: Noah Taylor, Stuart Townsend, Sean McGinley, Embeth Davidtz, Rutger Hauer, Ian Holm, Alan Levy

Director: Ben Hopkins

Director: Ben Hopkins
Producer: Robert Jones
Composer: Deborah Mollison
Studio: Samuel Goldwyn Films

[See More Credits]

Reviews for Simon Magus

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1 - 20 (sorted by rotten rating; UK critics are listed first)
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N/R

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Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Derek Adams
Time Out
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Sight and Sound | comment Comment
12/02/02
Ken Hollings
Ken Hollings
Sight and Sound

A striking feature debut with a creditable stab at magical realism.

Full Review Source: Empire Magazine | comment Comment
07/24/01
Angie Errigo
Angie Errigo
Empire Magazine
Top Critic Icon Top Critic

Full of magic and fantasy with an interesting mix of eccentric and complex characters.

Full Review Source: BBC | comment Comment
07/24/01
Sian Kirwan
Sian Kirwan
BBC
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix
N/R

Click to read the article

Full Review Source: Chicago Reader | comment Comment
08/01/06
Chicago Reader
N/R

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
08/09/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News

Click to read the article

Full Review Source: Filmcritic.com | comment Comment
01/27/02
Christopher Null
Christopher Null
Filmcritic.com

Despite its fine cast, this first feature by British writer-director Ben Hopkins is more clumsily realized than many a misfire in recent memory.

Full Review Source: Film Journal International | comment Comment
03/29/01
David Luty
David Luty
Film Journal International

No review available.

comment Comment
10/11/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Hopkins is determined to give his feature debut an overarching fablelike quality that his writing simply does not support.

Full Review Source: Los Angeles Daily News | comment Comment
03/12/01
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

Can't decide if it wants to be a fairy tale, a parable, or magical realism.

Full Review Source: Combustible Celluloid | comment Comment
06/01/01
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

It's all over the place.

Full Review Source: Newsday | comment Comment
03/12/01
John Anderson
John Anderson
Newsday

Looks and feels like a play (a bad one) written by a dim but earnest student.

Full Review Source: New York Post | comment Comment
03/30/01
Jonathan Foreman
Jonathan Foreman
New York Post

The film labors under its mix of grimy and magical realism.

Full Review Source: Village Voice | comment Comment
03/27/01
Leslie Camhi
Leslie Camhi
Village Voice

The more I think about Simon Magus, the less I'm sure what it's trying to say.

Full Review Source: Chicago Sun-Times | comment Comment
04/27/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

A muddled work, neither truly scary nor compelling.

Full Review Source: Reel.com | comment Comment
06/01/01
Tor Thorsen
Tor Thorsen
Reel.com

The villain sneers, and someone in the film- score department is banging a timpani in slow motion, meaning there's probably tragedy around the corner, but things are too earnest and sleepy to be sure.

Full Review Source: San Francisco Chronicle | comment Comment
07/24/01
Wesley Morris
Wesley Morris
San Francisco Chronicle

The final montage sequence is exquisite, marking the emergence of an unusual and brilliant visual stylist.

Full Review Source: E! Online | comment Comment
07/24/01
E! Online

A piece of unashamedly traditional filmmaking, which relies upon solid plot and strong characterization as opposed to more experimental shock value.

Full Review Source: Boxoffice Magazine | comment Comment
03/07/01
Chris Wiegand
Chris Wiegand
Boxoffice Magazine
 
 
1 - 20 (sorted by rotten rating; UK critics are listed first)
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