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Movies / Upcoming / Simon Magus
Simon Magus

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Simon Magus (2001)

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Reviews Counted:29

Fresh:18

Rotten:11

Average Rating:5.6/10

Consensus: This debut film of Ben Hopkins' effectively evokes an atmosphere of magic and mysticism.

Genre: Dramas

Synopsis: Set in a small village in late 19th century Europe, SIMON MAGUS is a dark fable of love, demonology, and supernatural business practices. Simon Magus (Noah Taylor) is both visionary and outcast, a... Set in a small village in late 19th century Europe, SIMON MAGUS is a dark fable of love, demonology, and supernatural business practices. Simon Magus (Noah Taylor) is both visionary and outcast, a man possessed by strange dreams that include mystical conversations with a demonic presence named Sirius (Ian Holm). Believing him to be possessed by the Devil, Simon's fellow villagers taunt and persecute him as he performs menial tasks for them to earn his daily bread. The village elders won't even allow Simon to pray with them in temple. The village is in a state of economic crisis. The traditional through trade has been siphoned off by the newly constructed railroad, and without its own train station, Simon's village is cut off from the outside world both economically and socially. Power and prosperity belong to the man who can build the railway station, but the local squire, a poetry-loving aesthete (Rutger Hauer) owns the land by the railroad and must be petitioned to grant the rights to it. Two men approach the squire with plans for a railway station. Ruthless merchant Maximilian Hase (Sean McGinley) seems the obvious choice for the man to bring the village into modern times: a florid, fatuous businessman who already owns half the town. His only rival is Dovid, a young Jewish scholar (Stuart Townsend) with no experience in business. Dovid hopes that his ambitious plan to build the railway station will unite the village, rich and poor, Jew and Gentile alike, as well as convince the beautiful widow Leah (Embeth Daviditz) to marry him. Leah is suspicious of Dovid’s courtship, convinced that he’s really in love with young Sarah (Amanda Ryan). Unbeknownst to Leah, Sarah is becoming involved with the Squire, who, despite being much older than her, shares her love of literature and poetry. Hase is furious that Dovid has decided to compete with him, and attempts to sabotage his rival's plan with a ruse designed to play on anti-Semitic sentiment among the town's Gentiles. Simon's unusual position in the village gives him access to the secrets of the people and Hase takes advantage of Simon's vulnerability and enlists him as a spy and traitor against Dovid. Simon, mocked and abused by his own people, seems eager to turn against them at first, but there's more than meets the eye. Simon becomes both pawn and player in Hase's scheme, foiling the plan with his unsuspected cunning. British writer/director Ben Hopkins' first feature film is a mix of horror, fantasy and romance and misty atmosphere reminiscent of the work of Tim Burton and Terry Gilliam. In a world of repression and superstition, chaos and magic can surface at any time. -- © 2001 Fireworks Pictures [More]

Starring: Noah Taylor, Stuart Townsend, Sean McGinley, Embeth Davidtz

Starring: Noah Taylor, Stuart Townsend, Sean McGinley, Embeth Davidtz, Rutger Hauer, Ian Holm, Alan Levy

Director: Ben Hopkins

Director: Ben Hopkins
Producer: Robert Jones
Composer: Deborah Mollison
Studio: Samuel Goldwyn Films

[See More Credits]

Reviews for Simon Magus

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21 - 34 (sorted by date; UK critics are listed first)
Text View | |< << 1 2
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Hopkins shows masterful skill in shaping Simon's reality and unreality in this engrossing, suspenseful morality play.

Full Review Source: Chicago Tribune | comment Comment
04/26/01
Robert K. Elder
Robert K. Elder
Chicago Tribune

Reasonably diverting, but the story never matches the movie's fantastic visual imagination.

Full Review Source: New York Times | comment Comment
03/30/01
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Looks and feels like a play (a bad one) written by a dim but earnest student.

Full Review Source: New York Post | comment Comment
03/30/01
Jonathan Foreman
Jonathan Foreman
New York Post

A lyrical tribute to the mysteriousness of life and death.

Full Review Source: Spirituality and Practice | comment Comment
03/30/01
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

...this fable about intolerance is handsome without being especially thought-provoking.

Full Review Source: TV Guide's Movie Guide | comment Comment
03/30/01
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

Despite its fine cast, this first feature by British writer-director Ben Hopkins is more clumsily realized than many a misfire in recent memory.

Full Review Source: Film Journal International | comment Comment
03/29/01
David Luty
David Luty
Film Journal International

The film labors under its mix of grimy and magical realism.

Full Review Source: Village Voice | comment Comment
03/27/01
Leslie Camhi
Leslie Camhi
Village Voice

Eminently watchable.

Full Review Source: Hollywood Reporter | comment Comment
03/13/01
David Hunter
David Hunter
Hollywood Reporter
Top Critic Icon Top Critic

It's all over the place.

Full Review Source: Newsday | comment Comment
03/12/01
John Anderson
John Anderson
Newsday

A movie worth your time, not only for its built-in debates, but also simply because it's lush and otherworldly.

comment Comment
03/12/01
Gregory Weinkauf
Gregory Weinkauf
New Times

Poetic and ambiguous, it manages to be magical in both the beautiful and terrifying senses of the word.

Full Review Source: Los Angeles Times | comment Comment
03/12/01
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

Hopkins is determined to give his feature debut an overarching fablelike quality that his writing simply does not support.

Full Review Source: Los Angeles Daily News | comment Comment
03/12/01
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

A piece of unashamedly traditional filmmaking, which relies upon solid plot and strong characterization as opposed to more experimental shock value.

Full Review Source: Boxoffice Magazine | comment Comment
03/07/01
Chris Wiegand
Chris Wiegand
Boxoffice Magazine

A magical picture in more ways than one.

Full Review Source: Compuserve | comment Comment
03/06/01
Harvey S. Karten
Harvey S. Karten
Compuserve
 
 
21 - 34 (sorted by date; UK critics are listed first)
Text View | |< << 1 2
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