... it is just a little bit too much of a disjointed mess.
The Singing Detective (2003)
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Reviews Counted:105
Fresh:40
Rotten:65
Average Rating:5/10
Consensus: Delightful performance from Robert Downey Jr. can't save The Singing Detective's transition from TV to the big screen.
Runtime: 1 hr 48 mins
Genre: Dramas
Synopsis: In Keith Gordon’s The Singing Detective, re-imagined by Dennis Potter from his classic British miniseries, Dan Dark is a character who gives new meaning to the term “scars of childhood.” A hack... In Keith Gordon’s The Singing Detective, re-imagined by Dennis Potter from his classic British miniseries, Dan Dark is a character who gives new meaning to the term “scars of childhood.” A hack writer of detective stories, he has suffered from psoriatic arthropathy, a crippling disease of the skin and bones, from the time he was eight-years-old. His latest and worst outbreak has landed him in the hospital where he deliriously tries to figure out who he is and how he got to this terrible place in his life. As his fevered mind mingles real people with his fictional characters, and his past with his present, the film moves in and out of three worlds. There is the present day hospital where Dark is prodded by indifferent doctors and bossy nurses. As one of the bright spots in his bleak life, the kindly Nurse Mills (Katie Holmes) greases his sore body leading to an unexpected comic climax. As his condition grows more desperate, he is dispatched to the charge of the eccentric psychiatrist Dr. Gibbons (Mel Gibson). Initially reluctant to confront his tortured past, Dark is gradually lured out from the “cave in the rocks” under which his spirit has crawled. Dark is visited in the hospital by his ex-wife (Robin Wright Penn), whom he fears his sleeping with a character from his past and conspiring to steal the screenplay he wrote years ago of his first novel, The Singing Detective. But nothing is exactly what it appears here. In his hallucinatory state, Dark re-imagines the plot of his novel, casting himself in the starring role of a gumshoe who doubles as a singer in a dance band. The fictional story, a sordid film noir, has something to do with a smarmy character, Mark Binney (Jeremy Northam), who employs hookers to extort atomic secrets from scientists, and then disposes of the girls with the help of two hapless thugs (Adrian Brody and Jon Polito). As a coverup, Binney hires Dark to solve the murder case. Sex and violence are the clues and they lead Dark straight to his childhood. Dark can’t keep his mind from remembering his tortured youth growing up in his parents’ gas station in the California desert. When young Danny watches his mother (Carla Gugino) seduced by his father’s partner (Northam again), the seeds are planted for a lifelong disgust with sex and hatred of women. Mother and child are forced to flee to Los Angeles where things get even worse. It’s here that the poison in Dark’s mind starts to erupt on his skin. The stories Dark tells himself in the hospital are rooted in the 50’s rock-n- roll he heard as a kid, so in his feverish imagination characters can break into song and dance at any moment, lip-synching to the original music. The walls of Dark’s hospital room open and the doctors and nurses do the hand jive to “At the Hop.” Dark imagines a romance with Nurse Mills to the strains of “Mr. Sandman.” And the thugs try to knock off the Signing Detective in a club as he croons “Poison Ivy” from the bandstand. The Singing Detective smashes together black comedy, pulp fiction, naturalistic drama, expressionist film noir and lip-synched 1950’s rock-n-roll musical numbers in a totally original and multi-leveled exploration of a wounded soul as he heals and reassembles the jumbled pieces of his life. [More]
Starring: Robert Downey, Robin Wright Penn, Mel Gibson, Jeremy Northam
Starring: Robert Downey, Robin Wright Penn, Mel Gibson, Jeremy Northam, Katie Holmes, Carla Gugino, Adrien Brody, Jon Polito, Alfre Woodard, Saul Rubinek
Director: Keith Gordon
Director: Keith Gordon
Screenwriter: Dennis Potter
Producer: Mel Gibson, Steven M. Haft, Bruce Davey
Studio: Paramount Classics
Reviews for The Singing Detective
When I saw it at Sundance, my attention was divided because I was trying to process the meaning of the jagged structure. Seeing it again a week ago, knowing what to expect, I found it a more moving experience.
Robert Downey Jr. goes into Johnny Depp territory with a great performance that is at once antic and next turning on the tears with ease.
Whenever the movie seems about to say something profound, it backs off and goes in another direction. The movie winds up as a tantalizing but incomplete experience.
A truncated version of a classic miniseries, with little of the original luster despite some fine acting.
It stands completely on Downey's tragi-comic performance, although the rest of the cast -- particularly Penn and Gibson -- do good work as well.
Although the miniseries spent time developing the strands of the interwoven stories, the movie flits from idea to idea and plays like a chaotic, failed experiment.
If the movie doesn't really work, it's because it's a hard piece to bring off, an extremely high mark to hit. Still, enough magic is left, especially in Downey's performance, to shock and beguile us.
A cinematic belly-flop rather than a beautiful swan dive...to emulate the bad hard-boiled dialogue, you're going to need buns of steel to sit through such a total debacle.
A brow-furrowing exercise in keeping up with the Darks, punctuated by random and alarming seediness and mysterious characters. Afterward, you appreciate its subtler charms.
Fans of the classic Dennis Potter BBC miniseries: Stay far, far away from this pale, Americanized imitation.
Apart from Downey's convincing contribution, the movie feels too contrived, stagy and inorganic to draw any pleasure.
It's the kind of movie that was made in the spirit of 'Why not?' and will leave most viewers simply asking, 'Why?'
While the general contours of Potter's original story are intact, they've lost all their transitional graces.
It just doesn't work; not as an adaptation of the acclaimed 1980s British television series, nor as a stand-alone movie.
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