An allusive and elusive tracing of the man and his work that also offers a rueful rumination on the artistic process.
Sketches of Frank Gehry (2006)
Tomatometer
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Reviews Counted:78
Fresh:63
Rotten:15
Average Rating:6.9/10
Consensus: This affectionate, casually framed portrait of the acclaimed architect reveals him to be an engaging, likeable subject.
Theatrical Release:29-06-2007
Synopsis: Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE... Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE FIRM and OUT OF AFRICA, Pollock adds a genuine curio to his filmmaking resume with this movie. Although the two men have been friends for years, Pollock thankfully bypasses the opportunity to pay a fawning tribute to Gehry, instead presenting a well-balanced portrait that offers both positive and negative commentators the chance to etch their thoughts into celluloid. But it quickly becomes clear that the biggest naysayer of all is Gehry himself, who is painted as a highly self-critical man, clearly ill-at-ease with fame and his own achievements. Pollock offers some screen time to Gehry's magnificent creations, but not as much as a less experienced director might have done, instead choosing to focus on the man himself. People such as Gehry's therapist, Milton Wexler, and garrulous artist/director Julian Schnabel (BASQUIAT) offer their thoughts, but the real magic occurs when Pollock and Gehry are on screen together. The series of interviews between the two men have the kind of relaxed atmosphere that could only exist after years of friendship, and Gehry comes across as an astonishingly normal and likeable fellow who keeps his ego firmly in check. Shooting mostly with hand-held digital-video cameras also brings a nice intimacy to the proceedings, creating a warm testimony to a great artist who has somehow managed to keep his integrity intact despite the ruthless nature of the industry in which he works. [More]
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Director: Sydney Pollack
Director: Sydney Pollack
Producer: Sydney Pollack, Ultan Guilfoyl
Reviews for Sketches of Frank Gehry
The film has lovely moments -- Gehry buildings can be extremely photogenic, after all -- but it doesn’t sink its teeth in the way it probably should.
A refreshingly small-scale film, almost a home movie made by the director of such films as Tootsie, Out of Africa and The Way We Were.
Though a little more depth would have been appreciated, there is just enough of it on display in this film to inspire those to do what I did and begin looking up Gehry and his work for themselves.
Because the two men are long-time friends, viewers get a sense of openness and like-minded artistic attitudes that far exceed what you might get from a more conventional documentary.
The film is almost entirely a love letter between similarly minded colleagues of different disciplines. They don't speak the same language, but the admiration is mutual.
Not just instructive, but reassuring for anyone who does creative work, and who worries, as everyone does, about being equal to the task.
What's most interesting about this coffee-table book of a movie is its exposure of the media-architectural complex.
What the filmmaker omits are precisely the laymen the movie set out to explain Gehry to.
Whatever you think of his legacy, Pollack's film makes a firm case for Gehry's complexity and the power of his ideas.
What benefits the picture early on, giving it a casual air, becomes cloying in the later going, making it feel like a smug exercise in mutual admiration.
It is a few meaningful glimpses into the mind and life of a man who resists being seen as complex and singular.
Even nonfans will find something interesting in the conversations with Pollack, in which the architect comes off as curious, funny and willing to reveal his own doubts.
While Gehry the man is worth the investment of time in this film, it's his singular buildings that we really want to get to know better than just sketches.
Pollock, who narrates, admits he knows nothing about architecture, which accounts for the film's shapelessness.
Director Sydney Pollack tries to pry open Gehry's head and allow the audience to see the world from his perspective.
I think every time Gehry comes into a city and adds his signature, it just makes the people in the city proud of it.
If Sketches of Frank Gehry fails to reconcile these extroverted buildings with their apparently introverted maker, it offers some heartfelt appreciation.
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