There are also a few critics brought in to provide balance, although Pollack's opinion is clear: Gehry is a genius. Having gazed upon the Guggenheim and the Disney and sat happily on the grass beneath the Spider's web, I think so, too.
Sketches of Frank Gehry (2006)
Tomatometer
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Reviews Counted:78
Fresh:63
Rotten:15
Average Rating:6.9/10
Consensus: This affectionate, casually framed portrait of the acclaimed architect reveals him to be an engaging, likeable subject.
Theatrical Release:29-06-2007
Synopsis: Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE... Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE FIRM and OUT OF AFRICA, Pollock adds a genuine curio to his filmmaking resume with this movie. Although the two men have been friends for years, Pollock thankfully bypasses the opportunity to pay a fawning tribute to Gehry, instead presenting a well-balanced portrait that offers both positive and negative commentators the chance to etch their thoughts into celluloid. But it quickly becomes clear that the biggest naysayer of all is Gehry himself, who is painted as a highly self-critical man, clearly ill-at-ease with fame and his own achievements. Pollock offers some screen time to Gehry's magnificent creations, but not as much as a less experienced director might have done, instead choosing to focus on the man himself. People such as Gehry's therapist, Milton Wexler, and garrulous artist/director Julian Schnabel (BASQUIAT) offer their thoughts, but the real magic occurs when Pollock and Gehry are on screen together. The series of interviews between the two men have the kind of relaxed atmosphere that could only exist after years of friendship, and Gehry comes across as an astonishingly normal and likeable fellow who keeps his ego firmly in check. Shooting mostly with hand-held digital-video cameras also brings a nice intimacy to the proceedings, creating a warm testimony to a great artist who has somehow managed to keep his integrity intact despite the ruthless nature of the industry in which he works. [More]
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Starring: Frank Gehry, Dennis Hopper, Bob Geldof, Julian Schnabel
Director: Sydney Pollack
Director: Sydney Pollack
Producer: Sydney Pollack, Ultan Guilfoyl
Reviews for Sketches of Frank Gehry
An engaging, if incomplete, tribute that gives the director, as well as the subject, the opportunity to shine.
In its own relaxed, meandering way it offers valuable insights into how a major artist thinks and works.
Gehry's theory -- the less technical the approach, the more human the end result -- is proven time and again in this diverting portrait of America's most famous living architect.
The movie turned out about as well as you might expect from something that dares to open with a frank declaration of the director's incompetence and lack of insight.
The parameters of Gehry's genius, as suggested by Pollack, are essentially the same as those captured in generations of cliched artist biopics.
It meanders agreeably, through some striking buildings and pleasant conversations, and by its end you feel as if you've met somebody.
Look at Gehry. Look at the work. Neither he nor we can be sure precisely how so many glorious buildings came into being. That's the beauty of transcendence. Right there in front of Pollack's camera.
Genius is complicated. But it's also simple, and director Sydney Pollack bounces us back and forth between those indisputable truths with intelligence and flair.
Pollack is too friendly with his subject (almost to the point of having a man crush on Gehry), so the theme of Sketches of Frank Gehry is reduced to, 'I think Frank Gehry is super awesome, and you should, too'
... a brief but marvelous digest introduction to the sculptural art and artist.
How much more persuasive Sketches of Frank Gehry might have been had Pollack differentiated degrees of achievement in Gehry's work.
Perhaps less a form-giver than a brash structural animator, Gehry has made edifices both exquisite and exhibitionistic.
A number of interesting questions go unasked and some only unanswered, but what is there is still more that is worthwhile.
Pollack's savvy camera work lets us walk in and around [Gehry's] designs . . . presented such that they seem the perfect external manifestation of being in this guy's head
Gehry, a cheerful, energetic, self-deprecating man closing in on his 80th birthday, makes for an engaging subject.
Even the professional critics who take part have been rendered toothless by Pollack's approach to the subject -- or simply by Karen Schmeer's editing.
Though Gehry and Pollack have long been friends, the veteran Hollywood director confesses early on to being an architecture neophyte, and so much of the film’s sprightly energy stems from its combination of expert research and amateur enthusiasm.
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