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Skinwalkers (2007)
Runtime: 1 hr 50 mins
Synopsis: Though a statement at the opening of the film explains that the creatures of the title are, in Native American lore, people who have the ability to transform into various animals, SKINWALKERS focuses on two warring factions of werewolves. One is a family concentrated on protecting Timothy... Though a statement at the opening of the film explains that the creatures of the title are, in Native American lore, people who have the ability to transform into various animals, SKINWALKERS focuses on two warring factions of werewolves. One is a family concentrated on protecting Timothy (Matthew Knight), a boy about to turn 13 who is the offspring of mortal Rachel (Rhona Mitra) and a Skinwalker. Timothy's family, led by kindly Uncle Jonas (Elias Koteas), chooses to avoid slaughtering innocents during full moons by restraining themselves in straps in the back of a beaten traveling camper. Their rival clan, captained by Varek (Jason Behr), lives with a leather-clad biker gang, riding from town to town and reveling in their bloodlust. When the clock strikes midnight on Timothy's birthday, he will be able to (in terms not explicitly spelled out) end the bloody reign of the Skinwalkers--but not if Varek and his gang can catch and kill Timothy before he officially becomes a teenager. SKINWALKERS focuses more on its action sequences than on the horror elements, but those seeking a good chase sequence will find plenty to enjoy in the film's second half. Director James Isaac (JASON X) gives the film a graphic novel-like visual style, with plenty of red tints and scenes of rising moons. Elias Koteas (CRASH, EXOTICA) seems to be having fun as a werewolf patriarch, but veteran Canadian supporting actress Barbara Gordon seems to be enjoying herself even more as a pistol-packing grandma. Stan Winston's creature designs resemble the man-beast creations from 1977's ISLAND OF DR. MOREAU more than they do Rick Baker or Rob Bottin's revisionist werewolves from AN AMERICAN WEREWOLF IN LONDON and THE HOWLING, but they are effective nonetheless. [More]
Genre: Horror/Suspense
Starring: Scott Anderson, Jason Behr, Lyriq Bent, Sarah Carter, Kim Coates
Screenwriter: James Roday, James DeMonaco, Todd Harthan
Producer: Don Carmody, Dennis Berardi
Composer: Andrew Lockington
DVD Info
Release:
Mar 11, 2009
DVD Features:
- Keep Case
- Widescreen
Audio:
- 5.1 - English
- Subtitles - English, Spanish
Additional Release Material:
- Audio Commentary - James Isaac - Director
- Featurettes - 1. The Making of SKINWALKERS
- 2. A Special Effects Visit with Stan Winston
Reviews
Admittedly, there's something about a bunch of hot-looking Goth-type vampires on motorcycles that has, well, a little bite to it.
Kudos to the ad campaign, but nuts to everyone else involved in this snuffly, histrionic werewolves-at-war-with-one-another yawner.
If lots and lots of shooting and wrassling and growling turns your crank, then you might have a good time with Skinwalkers; otherwise, it's a total snore.
Indistiguishable from either the horror or action product that routinely comes out of the straight-to-video pipeline.
The film may have suffered some bad buzz earlier on, but it's far better than most of the other werewolf offerings.
In Skinwalkers, there are two kinds of skinwalkers. Some see their bloodlust as a curse, and others, more colorfully, "embrace the power of the beast."
To borrow that immortal self-critiquing line from director James Isacc's own Jason X, 'This sucks on so many levels.'
A throwback to workmanlike '70s and '80s-era low-budget action thrillers.
Not only is this a seriously goofy werewolf movie -- but they snipped out most of the juicy bits in order to earn a PG-13 rating. Gotta love it.
Skinwalkers is never able to escape its fundamental preposterousness. You've seen worse, but, trust me, you've seen better.
On the fright scale, this pack of werewolves ranks below a basket of puppies.
Skinwalkers wears its B-movie badness on its sleeve like a badge of honor.
The problem with most werewolf movies isn't that they're derivative, but that they're badly written, badly acted, or just plain silly. Skinwalkers hits the trifecta: all three apply.
Yawningly directed by Jim Isaac, Skinwalkers is a slavering mess that buries its clunky addiction metaphor beneath a welter of genre clichés, all delivered in extra-slow motion.
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