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The Slaughter Rule (2002)
Joined by his best friend, Tracy Two Dogs, (a Blackfoot Indian with no small trouble of his own) Roy drowns his frustration in a mixture of tequila and self-pity. But in Blue Springs, Montana, alcohol begets violence, and the soon-reached limits of small-town Saturday night only add brutality to Roy's despair.
Enter Gideon Ferguson, a canny giant of a man who ekes out a life among barflies, hawking newspapers in the two a.m. nether world of closing time. Gid is seeking "gamers"—kids who scrap hard— to play on his Six-Man football squad, and he recruits Roy to be his quarterback.
Over the course of the season, Gid and Roy enter into a tenuous friendship. For Gid, the football team provides a sense of purpose in a life nearly bled dry. For Roy, the game is a pure response to life— if you break enough tackles and keep sprinting for open ground, you might outrun your inside trouble. It's as if they complete each other: Roy permits Gid a dimension of grace, a glimmer of innocence Gid has never known; Gid grants Roy a portal into adulthood.
Entering Gid's world, Roy becomes witness to a tender side of Gid, who constantly looks after his old pal Studebaker, a sad-luck drifter. More importantly for Roy, the honky-tonk nightlife introduces him to Skyla, a dark-eyed bartender several years Roy's senior. Their burgeoning romance and Roy’s growing friendship with Gid collide, complicating all of their lives.
The Slaughter Rule is a rough season in a young man's life, a season of exposure, prejudice, and ultimately - compassion. -- © Cowboy Pictures [Less]
Genre: Dramas
Starring: Ryan Gosling, David Morse, Clea DuVall, Kelly Lynch, David Cale
Screenwriter: Andrew Smith, Alex Smith
Producer: Michael Robinson, Gregory O'Connor
DVD Info
Release:
Feb 8, 2005
DVD Features:
- Region [unknown]
- Keep Case
- Widescreen
Additional Release Material:
- Audio Commentary
- Featurette - 1. AFTERTHOUGHT
Interactive Features:
- Scene Access
- Interactive Menus
Text/Photo Galleries:
- Stills/Photos - 1. Snapshot Diaries from the Sundance Film Festival
Reviews
Best movie I saw in 2002. Features a terrifyingly real performance by David Morse.
Montana's wide-open spaces -- and the closed hearts of the people who live there -- make for a sincere, superbly acted story of loss and need.
Writer-directors Andrew and Alex Smith go for emotional truth, but what they come up with is often silly.
A timid template of an indie movie that glides through all the proper turns, sticks up all the appropriate signposts, and never once takes a demanding or truthful step.
Clear, cold and yet uniquely sensitive, The Slaughter Rule isn't a by-the-book flick, but that's what makes it so good.
Unlike Terrence Malick, whose shadow looms over the film's visual style, the Smiths over-explain, not grasping that all those barren fields and blood-red clouds are doing plenty of work for them.
None of the characters' troubled histories or transformations are as compelling as Gosling and Duvall's unforced emotional complexity would promise or merit.
The movie has a richness that blows away most first features, not to mention most sports movies.
The film's real strength lies in two excellent performances, from veteran Morse and up-and-comer Gosling.
First-time filmmakers Andrew and Alex Smith have a potentially intriguing and very different tale, but they consistently shoot themselves in the foot with their amateurishly self-conscious direction.
Sex, alcohol, and the brutality of football. It may seem like a 'guy' movie, but the relationship struggles make this accessible to all audiences.
There's no miraculous 'Renegades rally from thirty points down in the last two minutes to win' nonsense here.
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by: REEL_REVIEWER 1/1/03


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