The film is a bit exhausting, like being trapped inside a pinball machine with a plot.
Snatch (2001)
Tomatometer
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Reviews Counted:135
Fresh:97
Rotten:38
Average Rating:6.4/10
Consensus: This movie is very similar in plot, style, and characters to Guy Ritchie's previous work, Lock, Stock and Two Smoking Barrels, but Snatch stands on its own as stylish, plot-twisting, frenetic entertainment.
Runtime: 1 hr 43 mins
Genre: Comedies
Synopsis:
A diamond heist gone helter-skelter, the rough and tumble world of bare knuckle boxing, a colorful Irish gypsy and...a dog. Writer-director Guy Ritchie’s highly anticipated Snatch is a rollicking...
A diamond heist gone helter-skelter, the rough and tumble world of bare knuckle boxing, a colorful Irish gypsy and...a dog. Writer-director Guy Ritchie’s highly anticipated Snatch is a rollicking ride through London’s gangster world, the bustling diamond district and a rowdy gypsy camp.
Diamond thief and courier Franky Four Fingers (Benicio Del Toro) arrives in London en route to New York to deliver a huge diamond to boss Avi (Dennis Farina). In his mission to offload smaller stones to Avi’s cousin, Doug 'The Head' (Mike Reid) and other local Hatton Garden jewellers, he is tempted into placing a bet on an illegal boxing bout by Boris 'The Blade' (Rade Sherbedgia). Little does he know that Boris has set him up - and local pawnshop owners Vinny (Robbie Gee) and Sol (Lennie James), along with their rather plump getaway driver, Tyrone (Ade) are to rob him at the bookies.
Meanwhile, novice unlicensed boxing promoters Turkish (Jason Statham) and his business partner Tommy (Stephen Graham) move into the 'big time' through a fight with local kingpin villain, boxing promoter and pig farm owner, Brick Top (Alan Ford). But when the novice’s fighter is knocked out by Mickey O’Neil (Brad Pitt), a wildcard Irish gypsy boxer, the boys convince him to fight in their boxer’s place in Brick Top’s rigged match.
Unfortunately, Mickey proves to be highly unreliable and the duo find themselves in trouble as the fearless fighter refuses to "go down in the fourth" as planned. Luckily, the gypsy’s prowess and technique impress Brick Top -- saving all three from the fate of his pig farm. The catch is Mickey has to fight again -- and has to get it right this time -- since Brick Top more than happy to use brutality and bloodshed to make his point.
In New York, news that Franky has been waylaid by the bookies sends Avi into a tailspin and he and his henchman hop on a plane to London. They hire local legend, 'Bullet Tooth' Tony (Vinnie Jones) to find Franky and the diamond. The sorry fate of the diamond courier is soon discovered and the hunt for the missing stone launches everyone into a madcap spiral which threatens to spin out of control...
Double-crossing, double bluffing and double-dealing abound as various parties pursue personal agendas -- all of them illegal, some of them farcical and most of them destined to end in blood, pain and retribution. As plans go haywire and tempers fray, dogs, diamonds, caravans, boxers and assorted weaponry get swept up into a chaotic free-for all...
Starring: Benicio Del Toro, Dennis Farina, Brad Pitt, Rade Sherbedgia
Starring: Benicio Del Toro, Dennis Farina, Brad Pitt, Rade Sherbedgia, Vinnie Jones, Jason Statham, Mike Reid, Robbie Gee, Lennie James, Ade, Alan Ford
Director: Guy Ritchie
Director: Guy Ritchie
Screenwriter: Guy Ritchie
Producer: Matthew Vaughn
Composer: John Murphy
Studio: Sony Pictures Entertainment
Reviews for Snatch
Snatch is loathsome in an unusually cheeky way. It's as if someone decided that black comedy needed to be put to death, using an electric saw that laughs.
Does Ritchie's set of strengths add up to only one type of plot? Put Lock, Stock and Snatch next to each other, and the similarities are embarrassing.
In fondly revisiting (carbon copying, it often seems) his first film, he's proved merely what we already knew: that he can unleash comic mayhem par excellence. Enough of the little boys with big guns. It's time for Guy to grow up.
While watching Snatch, you'll sometimes wish the dialogue had subtitles and the movie came equipped with a plot synopsis. But you're bound to leave the theater with a smile.
You see the filmmaker setting up all of the flips and switches, yet he still surprises you with how he triggers them and what mayhem they cause.
Will [audiences] laugh so hard at the pit bull with the squeaky toy stuck in its throat that they ignore the lulls in the plot? Will they find the humor in a guy getting his arm hacked off?
The acting and dialogue are bulletproof, especially by Britain's Alan Ford.
It's the actors' conviction, no matter how bloody or ridiculous the plot turns, that gives the movie much of its loony humor.
[Ritchie] puts the pedal to the metal in this consistently entertaining felony farce for the hip at heart.
The dialogue is never quite as witty as it thinks it is, and the convoluted narrative and endless gun battles become wearisome over time.
A particularly wearying example of a recent wave of British gangster films.
The kind of moronic, blood-soaked exercise in nihilism that might have felt fresh 25 years ago if accompanied by a score of Sex Pistols music, but now is stale and moldy in its excesses.
At least Ritchie's leanly plotted, briskly directed yarn is more entertaining than all the other Brit gangster flicks that trailed in the wake of Lock, Stock.
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July 27, 2007:
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