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The Soloist (2009)
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Reviews Counted:181
Fresh:99
Rotten:82
Average Rating:5.9/10
Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Rated: 12A [See Full Rating] for thematic elements, some drug use and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:25-09-2009
Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton
Director: Joe Wright
Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC
Reviews for The Soloist
Intelligent and uncompromising, with knock-out performances from Downey Jr. and Foxx.
The Soloist brings to life its story with genuine compassion, neatly avoiding many of the traps that afflict Hollywood films about mental illness. And Jamie Foxx's transformation will simply astound.
Ultimately, the reason that The Soloist fails is because the writer and the director have been bamboozled by the seriousness of the subject matter.
A handsomely made but tonally uncertain film; it's unsure whether to be an old-fashioned inspirational heartwarmer, or a paranoid prose-poem about ruined lives on the city's dangerous margins.
Wright’s major mistake is the flashback to Nathaniel’s background. Mundane, TV movie simplistic and, ironically, very middle-class patronising, it causes the film’s trajectory to go limp.
The Soloist isn't the cringe-worthy Rain Man rip-off it might have been, but that's the only surprise this film has to offer. If it were a piece of music, it would be the kind you hear in a lift when you're stuck between floors...
Thankfully, there's no contrived Hollywood ending but you can't help thinking this is more a three-minute wonder than a dramatic symphony.
Thanks to heavy-handed treatment, this true story ultimately feels like a work of mannered fiction.
A rich cocktail of all Hollywood's most endemic clichés, it would be easy to apply to The Soloist that rebuking tag, 'Oscar bait'. Its every move is calculated to pleasure and provoke the liberal classes, if only gently.
Foxx is an Oscar-winner thanks to his uncanny impersonation of Ray Charles in Ray, but he plays Ayers as a multitude of tics and non sequiturs. He is hampered by Susannah Grant's muddled screenplay.
This veers a little too haphazardly between being a message movie and one of those films about an unlikely friendship. In the end, it fails to work as either.
The Soloist is a moving and well-made film, but you just can't help feeling it is a little too contrived and simplistic.
Joe Wright, who did a brilliant job with Atonement, powerfully reveals the terrible treatment of America's homeless community.
The revelation of poverty, squalor and mental illness in LA’s underclass is horrific. But the film suffers from uncertainty of tone.
Its oddness is chastening: what's ostensibly a triumph-of-the-spirit number doesn't make you feel very triumphant after all.
A genuinely moving story is wrung dry by filmmaking that strains to punch every emotional plot point. Solid performances and some edgy insight can't quite rescue it, although the extraordinary true events retain real power.
It takes admirable steps to avoid the sentimental pitfalls that tend to accompany all such redemptive Hollywood tales, but it still leaves you with a weird aftertaste.
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