The writer, Susannah Grant, director Joe Wright, and especially the two superb leading actors all give the film life and humanity.
The Soloist (2009)
Tomatometer
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Reviews Counted:181
Fresh:99
Rotten:82
Average Rating:5.9/10
Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Rated: 12A [See Full Rating] for thematic elements, some drug use and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:25-09-2009
Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton
Director: Joe Wright
Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC
Reviews for The Soloist
In spite of its strong performances and glossy production, The Soloist plays a tune youve heard too many times.
A failed and problematic Oscar hopeful being dumped in theaters a week before the start of Hollywood's summer season.
The movie still entertains -- thanks to Downey's staccato rhythms and Foxx's secret melodies. But it remains flawed.
Backed by his newfound A-list stardom, Downey brings to the project a wry swagger -- crucial in an essentially reactive role. I wish, though, that "The Soloist" hadn't spent so much time dealing with Lopez's crises of conscience and career, even as they r
The Soloist is not only a great movie experience, it’s one of those rare films that might leave you a better person than when you went in.
When they're on-screen together, it's better than electrifying -- it's rhapsodic.
It took guts. And I suspect there’s no sense in making a cautious film about Nathaniel Ayers.
It's a journey full of good intentions, but also some dubious decisions.
You can't help but feel a connection to Downey and Foxx and, to a lesser degree, a rooting interest in the story.
Ironically, it's Foxx's gift for mimicry--the same skill that made him a perfect Ray Charles--that defeats him here.
Mr. Wright and his colleagues have made a movie with a spaciousness of its own, a brave willingness to explore such mysteries of the mind and heart as the torture that madness can inflict, and the rapture that music can confer. Bravo to all concerned.
Downey, Foxx and director Joe Wright ultimately pierce the more artificial elements to deliver an unusually perceptive film.
In the end, The Soloist is about how unknowable other people really are -- an idea that's terrifying until you step back and see the wonder of it.
The Soloist foregoes easy solutions, and even more importantly, it foregoes any easy sense of friendship.
While the film is unable to resolve its central subject, its background portrayal of the ongoing dissolution of the newspaper industry -- captured in a few fleeting images of layoffs and downsizing -- is vividly realized.
Foxx is magnificent, taking a role that could be exorbitantly showy (actors playing the mentally disabled tend to forget the word "restraint") and turning in a performance that's controlled and mesmerizing.
For all its sensitivity to the horrors of mental illness, The Soloist ends up as a fairly canned piece of work.
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