Remarkable! A small, intimate kind of movie that deserves to be cradled and cherished, not slathered in crass award-show buzz and industry politics.
The Soloist (2009)
Tomatometer
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Reviews Counted:181
Fresh:99
Rotten:82
Average Rating:5.9/10
Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Rated: 12A [See Full Rating] for thematic elements, some drug use and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:25-09-2009
Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton
Director: Joe Wright
Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC
Reviews for The Soloist
A deeply empathetic exploration of mental illness and a winning showcase for the talents of its two stars, Robert Downey Jr. and Jamie Foxx.
The Soloist is at its best when it lets mysteries such as the power of music remain mysterious and at its worst when it tries to explain them.
Downey is taking his "greatest actor of his generation" tag too seriously.
A movie about an improbable friendship set against the backdrop of urban and cultural decay, The Soloist strives for deep meaning and settles for gritty reality.
[Director Joe Wright's] treatment of the material is so literal that at times the film seems like a syllabus for Remedial Cinematic Technique 101.
While the narrative occasionally falters, The Soloist wisely avoids the pitfalls of the inspirational biopic by not tidily sewing things up. Instead, it presents a moving tribute to friendship and the power of music.
Hollywood loves the heroics of good intentions, but this is that rare movie that is just as interested in the road to hell.
Melodrama makes its way into this film on occasion (like with the flashbacks), and that separates it from greatness.
The basic contours of the story do emerge from the ill-advised Hollywood stylings … Does Lopez help Ayers? Does Ayers help Lopez? It's messy.
The Soloist is all artifice. It should have stayed true to the art involved.
The movie, through the works of Beethoven, displays the power and passion of music.
The Soloist is great in the visual, sound and acting department but fails to tell a story that grabs your attention.
Downey's performance is always enthralling, fascinating, and utterly present. But the inconsistency of the rest of the film makes him more of a soloist than intended.
It's a film that deftly, intelligently avoids all the typical Oscar-mongering guck, sidestepping all the predictable elements at nearly every turn.
The film is imperfect, periodically if unsurprisingly sentimental, overly tidy and often very moving.
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