The tone of The Soloist is wildly uneven. Though unsparing and unsentimental when framing the principals, Wright is hyperbolic when depicting the agitation of the mentally ill and the soothing rapture of music.
The Soloist (2009)
Tomatometer
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Reviews Counted:181
Fresh:99
Rotten:82
Average Rating:5.9/10
Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Rated: 12A [See Full Rating] for thematic elements, some drug use and language.
Runtime: 1 hr 56 mins
Genre: Dramas
Theatrical Release:25-09-2009
Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton
Director: Joe Wright
Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC
Reviews for The Soloist
It's not A Beautiful Mind, and there are some missteps here. But it's an unusually honest movie about homelessness and about newspapers.
You could learn more about the story of mentally ill musical prodigy Nathaniel Ayers in a 12-minute segment of a March 60 Minutes broadcast than in the 109 minutes of The Soloist. But what a wonderful 109 minutes they are.
Strangely, the inspirational power of The Soloist lies not in its music but in the heart and soul of its intriguing characters.
The movie avoids most of the pitfalls: Its epiphanies are small ones, but with the gleam of truth.
In the end, The Soloist can take a bow for its effort but shouldn’t be expecting any encores.
As Ayers, a Juilliard-trained cellist reduced to homelessness, Foxx turns The Soloist from a mildly effective inspirational tale into an aggressive awards-season advertisement.
The Soloist has all the elements of an uplifting drama, except for the uplift. The story is compelling, the actors are in place, but I was never sure what the filmmakers wanted me to feel about it.
A deeply spiritual movie about the moral complexities of helping another person, opening one's heart, feeling the pain of another, and letting go of the need to fix that person but instead to simply be present in love.
The movie's final attempts at tugging at the viewer's heartstrings ultimately fall flat, and it's consequently impossible to label The Soloist as anything other than a well-intentioned misfire.
Early on, [Downey Jr.] remarks that his goal is to understand how and why a person can go from Juilliard to the streets. If only The Soloist had the same intent.
Together Foxx and Downey are affecting and, ultimately, so is The Soloist. It is an imperfect film, to be sure. But it kept me engaged, when it wasn't frustrating me.
The studio would like to sell a candied inspirational story, but director Joe Wright avoids the sugared path at all turns, producing a stunning, transcendent celluloid event.
This film version takes a somewhat romanticized view of both journalism and skid row yet is nevertheless a compassionate and compelling look at mental illness.
American Idol meets Brother From Another Planet and Beethoven for dummies. What's missing is any recognition of the impact of poverty and racism on homelessness and mental illness, or why any of it exists in supposedly the most prosperous nation on earth.
Credit 'The Soloist' for avoiding sappiness while treating us to parts of Ludwig B's masterworks.
These characters are much more interesting on paper than they prove to be when fleshed out over the course of the picture.
Wright has Jamie Foxx and Robert Downey Jr., both outstanding. Their performances make up for the meandering plot and occasional missteps; neither actor is ever anything less than compelling, giving The Soloist an emotional heft it might not have enjoyed.
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