Meadows gives his film so much forward thrust it feels like a road movie as it follows the ramblings of his two young leads.
Somers Town (2009)
Tomatometer
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Reviews Counted:46
Fresh:44
Rotten:2
Average Rating:7.3/10
Consensus: Shane Meadows hits the spot with this short but sweet slice of good natured comedy, surprisingly, as it’s essentially an extended black & white advert for a train station.
Theatrical Release:22-08-2008
Synopsis: Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish... Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo (Thomas Turgoose) is a runaway from Nottingham; Marek (Piotr Jagiello), a Polish immigrant, lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link. When Marke agrees to let homeless Tomo move into his room, unbeknownst to his father, the pair forms a strong bond, as they work odd jobs for an eccentric neighbor and compete for the attention of Maria, a beautiful young French waitress whom they are both infatuated with. But it's only a matter of time before Marek's dad discovers what's going on... --© Film Movement [More]
Starring: Thomas Turgoose, Piotr Jagiello, Ireneusz Czop, Perry Benson
Starring: Thomas Turgoose, Piotr Jagiello, Ireneusz Czop, Perry Benson, Elisa Lasowski
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Paul Fraser
Producer: Barnaby Spurrier
Composer: Gavin Clark
Studio: Film Movement
Reviews for Somers Town
Somers Town is a small-scale jewel that will surprise you with its buoyant look at blighted lives.
Shot in the same beautifully desolate black-and-white as Meadows' boxing film TwentyFourSeven, Somers Town takes on the feel of dreamlike instant nostalgia.
As in all of Meadows's films, Somers Town emphasizes the importance of character and particularly of camaraderie amongst male characters--here, teenagers who nick clothes from the local laundry, get drunk in the park, and furtively investigate masculinity
Somers Town is a funny and endearing character comedy whose extra-brief, 70-minute running time proves perfectly adequate for its slender, episodic story.
However thin, the story of these rootless youths, estranged from mothers and native cities, has a certain universality and appeal.
What Somers Town lacks in story arc, it makes up for in charm, as Meadows and company create an endearing and thoroughly enjoyable portrait of a young British bromance.
A small but important film about small but important lives, the latest drama from Shane Meadows further confirms that more people should know about this gifted director.
It may seem slight but Meadows is a master of the art of revealing human foibles and weaknesses, which means the film lingers long after its extremely modest running time. A wee gem.
It is proof that there are all sorts of teenage lives going on in Britain, and sometimes, their most magical moments take place on dead-end streets.
Like its star, the movie is too short and a little thin but just about perfect.
The quiet loveliness of the movie comes in its poise, pitched exactly at the moment when self-protective toughness yields to a tentative camaraderie. Rarely do directors understand their preoccupations so completely.
Somers Town is not Shane Meadows’ best film, but it has his finest qualities: an appreciation of British working-class life as detailed as Ken Loach’s, characterizations as realistic as Mike Leigh’s and an interest in adolescent male impudence and longing
Meadows has made a lovely film about the ability of the imagination to offset the harshness of reality.
This modest but amicable tale has more depth and more spirit than many films twice its length.
Somers Town, shot in glimmering black and white, reveals a working class England that brims with possibility.
Shane Meadows has been busily carving out his own corner in British cinema.
Shane Meadows has a rare ability to convey the drama and humor of everyday life in well-observed, well-acted scenes that rarely drag on interminably or try too hard to dazzle.
uses every second of his 70-minute runtime rather than adding on perfunctory storylines or resorting to expositional sequences
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