The story is bogus and its characters tissue-thin.
Sonny (2002)
Tomatometer
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Reviews Counted:26
Fresh:6
Rotten:20
Average Rating:4.2/10
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Nicholas Cage's directorial debut SONNY is the story of a young man (James Franco) who returns to the life he left behind in New Orleans after a brief stint in the Army. That life, provided by his... Nicholas Cage's directorial debut SONNY is the story of a young man (James Franco) who returns to the life he left behind in New Orleans after a brief stint in the Army. That life, provided by his mother Jewel (Brenda Blethyn), is one of small-time prostitution: mom is a madam, and Sonny has been in the brothel all his life. His brief excursion into the broader world makes Sonny want a different life, but he finds that his old habits--as well as the pull of young call girl Carol (Mena Suvari), and the bond with his mother's companion Henry (Harry Dean Stanton)--make leaving nearly impossible. For his first shot at directing, Cage chose a particularly gritty, knotted story in SONNY. Barry Markowitz's rich cinematography is nearly tactile, and Cage makes the interesting choice of having the colorful (in more ways than one) city of New Orleans mostly push through the edges of the movie, which is primarily shot in close-up. Those tight shots reveal the simmering rage in Franco's character, as well as the strange Oedipal twist of the hustling son who tries to please his mother by having sex with other women. [More]
Starring: James Franco, Mena Suvari, Brenda Blethyn, Harry Dean Stanton
Starring: James Franco, Mena Suvari, Brenda Blethyn, Harry Dean Stanton, Scott Caan
Director: Nicolas Cage
Director: Nicolas Cage
Screenwriter: John Carlen
Producer: Nicolas Cage, Norm Golightly, Paul Brooks
Composer: Clint Mansell
Studio: Samuel Goldwyn Films
Reviews for Sonny
As the sulking, moody male hustler in the title role, [Franco] has all of Dean's mannerisms and self-indulgence, but none of his sweetness and vulnerability.
A well-intentioned effort that's still too burdened by the actor's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility.
It's as if a bored Cage spent the duration of the film's shooting schedule waiting to scream: "Got AIDS yet?"
An engrossing and grim portrait of hookers: what they think of themselves and their clients.
Cage makes an unusual but pleasantly haunting debut behind the camera.
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