This is probably Mamet's most purely enjoyable film since the gangster comedy Things Change.
The Spanish Prisoner (1998)
Tomatometer
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Reviews Counted:58
Fresh:51
Rotten:7
Average Rating:7.4/10
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming... Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is uncertain, however, and his growing nervousness is subtly stoked by Jimmy Dell (Steve Martin), a charming and apparently wealthy new friend. Suddenly Joe finds himself wondering who he can trust: his boss, his friends, Jimmy, the FBI, or even the girl at work who has a crush on him (Rebecca Pidgeon, speaking her husband's lines as only she can). The big con is always fun to watch from the inside, but Mamet knows it's even more fun when the audience is on the outside, left to imagine the con as all-encompassing so that everyone and everything is suspect. The fine ensemble acting and terse, loaded dialogue add to the atmosphere of total suspense while the muted but rich production design produces a too-believable longing in Joe, whose tiniest greedy qualm is still enough to spell disaster. [More]
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay, Felicity Huffman
Director: David Mamet
Director: David Mamet
Producer: Jean Doumanian
Reviews for The Spanish Prisoner
David Mamet's most consistently enjoyable film to date is a cool, typically clever con-trick drama packed with deliciously inventive twists that get ever more convoluted and unnerving as the plot proceeds.
David Mamet has really stumped us this time. This, his fifth film as writer-director, is his most mainstream work to date, but it also happens to be his cleverest, craftiest and most conniving.
The Spanish Prisoner shares with Glengarry Glen Ross a vision of life as a cosmic con game in which the victimizers feed the fantasies of the victims.
In David Mamet's world nothing is what it seems and nobody talks like a real person. The stylized dialogue is not a flaw--it's part of the entertainment. Mamet keeps you and star Campbell Scott guessing until the final moments.
Steve Martin and Campbell Scott – wow! Who knew they had such talent.
Mamet keeps the settings simple, breeding mistrust out of the flat walls and corporate colors. He concentrates on dialogue and character, and this movie is warmer, and much closer to psychological realism, than the weirdly schematic House of Games.
A reminder that even intelligent films can be exercises of style over substance.
Mamet's dialogue is as deft as ever, and he draws a fine, complex performance from Scott, an actor whose talents are underused and underappreciated.
A classic mystery with clever twists and deceptive red herrings. Its ingenuity comes not from what happens but from what doesn't happen, or better yet, from what's hidden.
It is a subtle and revealing drama about a confidence game filled with on-target insights into business, paranoia, deceit, pride, and entitlement.
It playfully engages the mental faculties like no other film since The Usual Suspects.
In typical Mamet fashion, the film is energized by a peculiar staccato rhythm and monotonal dialogue. And Campbell Scott is a classic Mamet hero, generating maximum tension with minimum emotion.
The Spanish Prisoner is for anyone who likes to think and feel along with the characters. Mamet offers us the same clues he gives to Joe; we can piece the truth together along with him.
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