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Movies / On DVD / The Spanish Prisoner
The Spanish Prisoner

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The Spanish Prisoner (1998)

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Reviews Counted:58

Fresh:51

Rotten:7

Average Rating:7.4/10

Runtime: 1 hr 50 mins

Genre: Dramas

Synopsis: Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming... Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is uncertain, however, and his growing nervousness is subtly stoked by Jimmy Dell (Steve Martin), a charming and apparently wealthy new friend. Suddenly Joe finds himself wondering who he can trust: his boss, his friends, Jimmy, the FBI, or even the girl at work who has a crush on him (Rebecca Pidgeon, speaking her husband's lines as only she can). The big con is always fun to watch from the inside, but Mamet knows it's even more fun when the audience is on the outside, left to imagine the con as all-encompassing so that everyone and everything is suspect. The fine ensemble acting and terse, loaded dialogue add to the atmosphere of total suspense while the muted but rich production design produces a too-believable longing in Joe, whose tiniest greedy qualm is still enough to spell disaster. [More]

Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay

Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay, Felicity Huffman

Director: David Mamet

Director: David Mamet
Producer: Jean Doumanian

[See More Credits]

Reviews for The Spanish Prisoner

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
Text View | 1 2 3 >> >|
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David Mamet's most consistently enjoyable film to date is a cool, typically clever con-trick drama packed with deliciously inventive twists that get ever more convoluted and unnerving as the plot proceeds.

Full Review Source: Time Out | comment Comment
02/09/06
Derek Adams
Derek Adams
Time Out
Top Critic Icon Top Critic

David Mamet has really stumped us this time. This, his fifth film as writer-director, is his most mainstream work to date, but it also happens to be his cleverest, craftiest and most conniving.

Full Review Source: Empire Magazine | comment Comment
01/01/00
Jake Hamilton
Jake Hamilton
Empire Magazine
Top Critic Icon Top Critic

This is probably Mamet's most purely enjoyable film since the gangster comedy Things Change.

Full Review Source: Channel 4 Film | comment Comment
02/02/09
Channel 4 Film
Top Critic Icon Top Critic

A reminder that even intelligent films can be exercises of style over substance.

Full Review Source: rec.arts.movies.reviews | comment Comment
05/03/04
Dragan Antulov
Dragan Antulov
rec.arts.movies.reviews

It feels rather manipulative and makes us feel a bit too conscious of the trickery at hand, especially given all the film's explicit warnings that things are rarely what they seem, and conversely, that things are usually exactly what they seem to be.

Full Review Source: Austin Chronicle | comment Comment
01/01/00
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

The Spanish Prisoner is for anyone who likes to think and feel along with the characters. Mamet offers us the same clues he gives to Joe; we can piece the truth together along with him.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews

It is a subtle and revealing drama about a confidence game filled with on-target insights into business, paranoia, deceit, pride, and entitlement.

Full Review Source: Spirituality and Practice | comment Comment
03/02/02
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

David Mamet's latest contraption has its satisfying moments, but the film is rarely more than just that: a contraption.

Full Review Source: Nick's Flick Picks | comment Comment
01/10/03
Nick Davis
Nick Davis
Nick's Flick Picks

Mamet keeps the settings simple, breeding mistrust out of the flat walls and corporate colors. He concentrates on dialogue and character, and this movie is warmer, and much closer to psychological realism, than the weirdly schematic House of Games.

Full Review Source: New York Magazine | comment Comment
01/01/00
David Denby
David Denby
New York Magazine

One exceedingly well-crafted piece of manipulation that keeps the audience strung along with every intricate turn of the plot.

Full Review Source: TheMovieReport.com | comment Comment
04/01/09
Michael Dequina
Michael Dequina
TheMovieReport.com

It rolls its sleeves above its elbows to show it has no hidden cards, and then produces them out of thin air.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

As the movie keeps piling on surprise revelations, it becomes more convoluted without ever managing to be satisfying or exciting.

Full Review Source: Movieline | comment Comment
01/09/02
Stephen Farber
Stephen Farber
Movieline

A film by David Mamet, blah blah blah, things are not what they seem, blah blah blah, don't trust appearances, blah blah blah. Is this thing over yet?

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
01/01/00
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

In typical Mamet fashion, the film is energized by a peculiar staccato rhythm and monotonal dialogue. And Campbell Scott is a classic Mamet hero, generating maximum tension with minimum emotion.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
01/01/00
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

Completely absorbing from start to finish.

Full Review Source: Film Journal International | comment Comment
01/01/00
Chris Grunden
Chris Grunden
Film Journal International

Mamet's dialogue is as deft as ever, and he draws a fine, complex performance from Scott, an actor whose talents are underused and underappreciated.

Full Review Source: San Francisco Chronicle | comment Comment
01/01/00
Edward Guthmann
Edward Guthmann
San Francisco Chronicle

A classic mystery with clever twists and deceptive red herrings. Its ingenuity comes not from what happens but from what doesn't happen, or better yet, from what's hidden.

Full Review Source: Apollo Guide | comment Comment
01/01/00
Elspeth Haughton
Elspeth Haughton
Apollo Guide

The film's title refers to the "oldest con in the world," an FBI agent tells Joe. Mamet's con -- letting his audience know they're being duped and getting them to love it at the same time -- must be one of the newest.

Full Review Source: Flick Filosopher | comment Comment
01/01/00
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

It playfully engages the mental faculties like no other film since The Usual Suspects.

Full Review Source: San Francisco Examiner | comment Comment
01/01/00
G. Allen Johnson
G. Allen Johnson
San Francisco Examiner

Perhaps [Mamet's] most intricate and arresting film to date.

Full Review Source: Compuserve | comment Comment
01/01/00
Harvey S. Karten
Harvey S. Karten
Compuserve
 
 
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