This is probably Mamet's most purely enjoyable film since the gangster comedy Things Change.
The Spanish Prisoner (1998)
Tomatometer
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Reviews Counted:58
Fresh:51
Rotten:7
Average Rating:7.4/10
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming... Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is uncertain, however, and his growing nervousness is subtly stoked by Jimmy Dell (Steve Martin), a charming and apparently wealthy new friend. Suddenly Joe finds himself wondering who he can trust: his boss, his friends, Jimmy, the FBI, or even the girl at work who has a crush on him (Rebecca Pidgeon, speaking her husband's lines as only she can). The big con is always fun to watch from the inside, but Mamet knows it's even more fun when the audience is on the outside, left to imagine the con as all-encompassing so that everyone and everything is suspect. The fine ensemble acting and terse, loaded dialogue add to the atmosphere of total suspense while the muted but rich production design produces a too-believable longing in Joe, whose tiniest greedy qualm is still enough to spell disaster. [More]
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay, Felicity Huffman
Director: David Mamet
Director: David Mamet
Producer: Jean Doumanian
Reviews for The Spanish Prisoner
David Mamet's most consistently enjoyable film to date is a cool, typically clever con-trick drama packed with deliciously inventive twists that get ever more convoluted and unnerving as the plot proceeds.
David Mamet has really stumped us this time. This, his fifth film as writer-director, is his most mainstream work to date, but it also happens to be his cleverest, craftiest and most conniving.
A substandard con flick that is surprisingly lightweight for a David Mamet film. In fact, it's so watered down that it feels more like a forgettable T.V. Movie-of-the-week.
A film by David Mamet, blah blah blah, things are not what they seem, blah blah blah, don't trust appearances, blah blah blah. Is this thing over yet?
It's an interesting premise with more than a few Hitchcockian overtones. And because of that, it's easy to see why Mamet wants his actors to be so aloof — to make the audience wary of character motivations. But the strategy really backfires here.
An intriguing whodunit about murder and computer software, The Spanish Prisoner fails because for the most part, its actors aren't up to the task, and Mamet is unable to educate them properly.
As the movie keeps piling on surprise revelations, it becomes more convoluted without ever managing to be satisfying or exciting.
This guess-what-plot-turn-is-next thriller is anything but thrilling thanks to terrible pacing and its ponderous two hour length.
The Spanish Prisoner shares with Glengarry Glen Ross a vision of life as a cosmic con game in which the victimizers feed the fantasies of the victims.
In David Mamet's world nothing is what it seems and nobody talks like a real person. The stylized dialogue is not a flaw--it's part of the entertainment. Mamet keeps you and star Campbell Scott guessing until the final moments.
Steve Martin and Campbell Scott – wow! Who knew they had such talent.
Mamet keeps the settings simple, breeding mistrust out of the flat walls and corporate colors. He concentrates on dialogue and character, and this movie is warmer, and much closer to psychological realism, than the weirdly schematic House of Games.
A reminder that even intelligent films can be exercises of style over substance.
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