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The Spanish Prisoner (1998)
Tomatometer
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Reviews Counted:58
Fresh:51
Rotten:7
Average Rating:7.4/10
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming... Moody, austere, and unabashedly clever, THE SPANISH PRISONER is familiar ground for puzzle-loving writer-director David Mamet. Campbell Scott plays the Hitchcockian hero Joe Ross, an unassuming fall guy who has invented a mysterious process worth an unnamed, but presumably enormous, figure. Joe's share in the reward is uncertain, however, and his growing nervousness is subtly stoked by Jimmy Dell (Steve Martin), a charming and apparently wealthy new friend. Suddenly Joe finds himself wondering who he can trust: his boss, his friends, Jimmy, the FBI, or even the girl at work who has a crush on him (Rebecca Pidgeon, speaking her husband's lines as only she can). The big con is always fun to watch from the inside, but Mamet knows it's even more fun when the audience is on the outside, left to imagine the con as all-encompassing so that everyone and everything is suspect. The fine ensemble acting and terse, loaded dialogue add to the atmosphere of total suspense while the muted but rich production design produces a too-believable longing in Joe, whose tiniest greedy qualm is still enough to spell disaster. [More]
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay
Starring: Campbell Scott, Steve Martin, Ben Gazzara, Ricky Jay, Felicity Huffman
Director: David Mamet
Director: David Mamet
Producer: Jean Doumanian
Reviews for The Spanish Prisoner
There's something fresh, even restorative, in watching an American studio movie that doesn't treat the movie-going audience like a bunch of gullible marks.
It is a subtle and revealing drama about a confidence game filled with on-target insights into business, paranoia, deceit, pride, and entitlement.
This movie has enough twists and turns to satisfy anyone who likes surprises and people who are not what they seem.
As the movie keeps piling on surprise revelations, it becomes more convoluted without ever managing to be satisfying or exciting.
It's a modern corporate espionage type thriller and it's cool. It's got a smart pedigree and a tiny budget and big big ideas.
What makes The Spanish Prisoner so good is that Mamet has the ability to trick you into thinking you know what's going to happen.
Mamet brings more than a decade's worth of filmmaking experience to his latest project, and his skill as a director has improved considerably.
My only problem with the film is the setup. The characters are all so low-key and colorless, their dialogue is so flat and artificial-sounding, and the sting takes so long to develop, the first reel or two just about put me to sleep.
A film by David Mamet, blah blah blah, things are not what they seem, blah blah blah, don't trust appearances, blah blah blah. Is this thing over yet?
Steve Martin and Campbell Scott – wow! Who knew they had such talent.
Mamet keeps the settings simple, breeding mistrust out of the flat walls and corporate colors. He concentrates on dialogue and character, and this movie is warmer, and much closer to psychological realism, than the weirdly schematic House of Games.
Mamet's dialogue is as deft as ever, and he draws a fine, complex performance from Scott, an actor whose talents are underused and underappreciated.
A classic mystery with clever twists and deceptive red herrings. Its ingenuity comes not from what happens but from what doesn't happen, or better yet, from what's hidden.
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