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Stander (2004)
Tomatometer
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Reviews Counted:62
Fresh:45
Rotten:17
Average Rating:6.5/10
Consensus: An unsatisfying account of Stander's life.
Runtime: 1 hr 56 mins
Genre: Action/Adventure
Synopsis: STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The... STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The Punisher, 61*) in a mercurial, star-turn performance, Andre Stander is a young, white policeman enjoying the comforts of middle-class married life in late-1970s South Africa, a country riven by Apartheid. Deeply affected by the indiscriminate killing he witnesses and takes part in during Riot Patrol, Stander wordlessly makes a decision to defy the very system he has spent a lifetime enforcing. Stander’s form of civil disobedience, however, takes an unusual form: a series of audacious, high-flying bank robberies, with the young police officer oftentimes returning to the scene of the crime as the lead investigating officer. Finally apprehended by his colleagues, Stander is jailed and subsequently befriends outlaws Allan Heyl and Lee McCall. Following a daring prison break, the “Stander Gang” commits dozens of bank robberies across the country, heists that grow increasingly bolder over time. In the eyes of the public, the Stander Gang’s nose-thumbing disrespect for authority makes them into near-legendary folk heroes, modern-day equivalents of Bonnie & Clyde. To the South African government, however, the former police officer is a cause of embarrassment, and the Stander Gang are the most wanted men in the country. Equal parts heist movie, love story, and historically accurate indictment of a corrupt political institution (on the tenth anniversary of Apartheid’s end), STANDER is the most riveting, uncanny biopic in recent memory. Filmed entirely on location in South Africa, STANDER is directed by Bronwen Hughes (Forces of Nature, Harriet The Spy), and co-stars Dexter Fletcher (Lock, Stock and Two Smoking Barrels), David Patrick O’Hara (Braveheart, The Devil’s Own), and Deborah Kara Unger (Crash, The Hurricane, The Game) as Andre Stander’s wife. -- © Newmarket Films [More]
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers, Ashleigh Taylor
Director: Bronwen Hughes
Director: Bronwen Hughes
Screenwriter: Ken Friedman, Bronwen Hughes
Producer: Julia Verdin, Marty Katz
Studio: Newmarket Films
Reviews for Stander
A unique take on the bank robbery genre. It features crimes based on attitude, not technology or prowess.
STANDER dispenses with unnecessary dialogue and doesn't posit facile explanations, which is good, but it fails to put you, the audience, into Andre Stander's skin.
Stander is the political crime biopic starring Thomas Jane. Standard is the narrative and presentation. Snoozer is the effect it has on the audience.
[Jane] at once captures the appeal of the celebrity outlaw -- not to mention looks great in the '70s-era wardrobe -- and the gravity of a man wrestling with his conscience in an environment of moral degeneracy.
The story is so eager to highlight macho action scenes that it loses track of the important historical and political issues it raises.
Stander é o anti-herói clássico – e a direção empolgante de Hughes e as performances do elenco principal fazem jus à incrível história do personagem-título.
The bank robbery action, the nose-thumbing at authority, and the rise of an anti-hero -- a colorful action yarn.
Worth a look, thanks mostly to Mr. Jane's troubled swagger and Ms. Hughes' sharp eye.
STANDER deserves recommendation as fascinating film that confirms the old adage of truth being stranger than fiction.
Jane is charming and charismatic as the fancy flatfoot, but the script favors heists and shoot-outs over character insight and motivation.
If anything, Stander comes up a little short simply because of the small size of the production itself. A story this intriguing really deserves an epic budget.
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