Thought-provoking and mesmerising.
Stephanie Daley (2007)
Runtime: 1 hr 32 mins
Synopsis: In STEPHANIE DALEY, Amber Tamblyn and Tilda Swinton turn in remarkable performances as a young girl accused of murdering her infant and the pregnant forensic psychologist assigned to her case. When Stephanie is found trailing blood in the snow on a high school ski trip, the media quickly... In STEPHANIE DALEY, Amber Tamblyn and Tilda Swinton turn in remarkable performances as a young girl accused of murdering her infant and the pregnant forensic psychologist assigned to her case. When Stephanie is found trailing blood in the snow on a high school ski trip, the media quickly latches onto the story, labeling her the "Ski Mom." While evaluating 16-year-old Stephanie before the criminal trial, 40-year-old Lydie (Swinton) is also grappling with worries over her own troubled pregnancy. Having given birth to a stillborn years before, Lydie is still coming to terms with what that loss meant for her and her marriage to an increasingly distant husband (Timothy Hutton). The film unfolds in a nonlinear way, with scenes of the two women's discussions opening up to flashbacks of the months preceding the baby's supposedly unexpected birth (and death), and to scenes from each woman's current situation. What makes STEPHANIE DALEY so moving is how ordinary the title character is. Like so many adolescent girls, Stephanie is smart, shy, and when it comes to the adult world of sex, dangerously naive. Stephanie adamantly denies that she killed her baby, and explains the events of the previous year with a sadness and resignation that speak of so many female adolescent experiences. In a scene that depicts Stephanie's first sexual encounter, director Hilary Brougher perfectly captures that moment when good reason gives way to peer pressure, youthful curiosity, and a lack of confidence. Where such an experience would leave any girl feeling used and disappointed, it leaves Stephanie with a problem so great she can't even admit it until it's too late. The film uses graphic scenes powerfully, and while never passing judgment on its characters, raises important issues about a woman's right to choose and about womanhood itself. [More]
Genre: Dramas
Starring: Tilda Swinton, Amber Tamblyn, Timothy Hutton, Melissa Leo, Jim Gaffigan
Screenwriter: Hilary Brougher
Producer: Sean Costello, Doug Dey
Composer: David Mansfield
Reviews
There's a rawness to [it]...it paints slick composition and beautiful, bleeding color on the kind of story about sex and faith that no one has told well in a while.
As joyless as it may be, it's still a brilliant emotional experience.
Filled with emotional pain, it's a perceptive, truthful film interested not in passing judgement, but rather in exploring the truth about relationships, pregnancy and life.
not a great deal that is dramatic happens in the film, but it is that accrual of small details that fleshes out who these people are.
The acting is uniformly on a high level. Tamblyn is impressive, and Swinton, as usual, is outstanding.
Tamblyn's performance is a delicate balancing act; she has to stealthily reveal who Stephanie is to us while still holding back the most vital information until the very end.
It's remarkable how close the director gets to these two characters, and how quietly.
Apart from Swinton's fine performance, what largely distinguishes this is Brougher's sharp narrative focus.
Tamblyn's surprisingly measured performance commands attention.
If ever there were a shamelessly preachy attempt to scare teen girls out of having unprotected sex, this is it.
To see Tamblyn's work here, to see her character almost simultaneously embody pain, terror, anguish, embarrassment, regret and just about any emotion you can think of, is to watch the kind of acting the medium exists to provide.
[Director Braugher] does get at something rarely broached in movies: The abject fear that some women experience regarding their impending childbirth. The fear is not an existential one, it's basic -- a fear of physical pain.
With a calmness that bespeaks confidence, this small, spellbinding second feature by Hilary Brougher brings together two women, trapped in separate states of denial and distress, who manage to end each other's entrapment.
Most persuasive as a realist family drama made by a writer-director whose forte is the accretion of quotidian detail that, as much as any crisis, tells us who her characters are.
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It's definitely a week for TV on DVD. With the exception of a few exceptional dramatic feature films (Stephanie Daley,...
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