An inspirational dance movie, which, like an inspirational sports movie, runs on predictable rails.
Stomp the Yard (2007)
Runtime: 1 hr 56 mins
Genre: Dramas
Starring: Columbus Short, Meagan Good, Laz Alonso, Harry J. Lennix, Jermaine Williams
Screenwriter: Robert Adetuyi, Gregory Anderson
Producer: William Packer, Porter Verselft III
DVD Info
Release:
Mar 5, 2008
DVD Features:
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1 Surround - English, French
- Subtitles - Chinese, English, French, Korean, Portuguese, Spanish, Thai - Optional
Additional Release Material:
- Audio Commentary - Sylvain White - Director
- Deleted & Extended Scenes - 1. "Get Buck" & Opening Battle
- 2. "The Clean Up"
- Featurette - 1. "Battles. Rivals. Brothers" - The story of STOMP THE YARD
- Gag Reel
Reviews
Short’s moody DJ is easy enough to root for, while Brian White also shows sparks in the slender role of an older brother.
The dynamic dance sequences have all the right moves, but there's precious little to hold the attention once the music stops.
Driven along by a decent cast who really turn it on during the musical moments, letting their steps tell the story.
The performances are good but the heavily cliched script ensures that there's very little of interest here, unless you're a massive stepping fan.
Decidely average teen drama but with a few decent dance numbers.
... the film as a whole lacks the energy of its dance numbers.
At a time of year when theaters are filled with flashy, fun, but empty offerings, Stomp The Yard is a surprisingly satisfying alternative.
It's not a great movie, no, and maybe not even a particularly good one. But it's likable and unassuming, and the dancing is off the hook, or whatever the kids are saying these days.
There is so much yet so little on the screen: so much movement and action, but so little to cling on to. So much angst, so little context.
Sylvain White should be chained to a chair...for the migraine-inducing crimes he commits, which rob the numbers of any joy or human flavor they might have possessed.
If there is any sort of cultural relevance to be found in a movie like Stomp the Yard, it's that spectacles don't even matter anymore: We just need the possibility of a spectacle.
You will never see stomping like this as I'm sure it took months of training to pull off all these incredible dance scenes.
Stomp the Yard is a much better movie than its trailers would indicate, and better than many of its predecessors in the teen-dance genre.
Clearly, someone is getting served here but it certainly isn’t the audience.
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