The film struggles under its increasingly weighty pretensions to literary credibility and even tragic status, stumbling towards an unconvincing and cloying conclusion.
Stranger Than Fiction (2006)
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Reviews Counted:165
Fresh:119
Rotten:46
Average Rating:6.8/10
Consensus: A fun, whimsical tale about about an office drone trying to save his life from his narrator. The cast obviously is having a blast with the script, but Stranger Than Fiction's tidy lessons make this metaphysical movie feel like Charlie Kaufman-lite.
Rated: 12A [See Full Rating] for some disturbing images, sexuality, brief language and nudity.
Runtime: 1 hr 53 mins
Genre: Comedies
Theatrical Release:01-12-2006
Synopsis: One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail.... One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold's carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold's head turns out to be the once celebrated, but now nearly forgotten, novelist Karen "Kay" Eiffel (Emma Thompson), who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay's publisher has dispatched a hard-nosed "assistant," Penny Escher (Queen Latifah), to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert (Dustin Hoffman), who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy's most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal (Maggie Gyllenhaal). As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. Harold and Kay find themselves in unexplored territory as each must weigh the value of a single human existence against what might just be an immortal work of art: a novel about life and death -- and taxes. --© Sony Pictures [More]
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman, Tony Hale, Queen Latifah, Kristin Chenoweth
Director: Marc Forster
Director: Marc Forster
Producer: Lindsay Doran, Aubrey Henderson, Jim Miller, Brittany Daniel
Studio: Sony Pictures Entertainment
Reviews for Stranger Than Fiction
Screenwriter Zach Helm's comedy has some quirky points, but it's very sugary and sentimental, and feeble compared to the work of those who have done the same sort of thing better: Woody Allen or Charlie Kaufman.
It might be Charlie Kaufman lite, but this is a great date movie for the discerning - smart, ingenious and heartwarming.
Brilliantly written, thoughtful and frequently hilarious comedy with impressive direction and terrific performances from the entire cast.
A sharply clever script, witty direction and terrific performances across the board.
Instead of finishing with a bang it peters out, but this existential yarn is still fresh and funny enough to justify taking two hours out of your life.
The place where the film runs into problems is in trying to decide, like Harold, as to whether or not it is a comedy or a tragedy. As we know, comedy sells much better and that's the direction the film leans.
If Stranger Than Fiction has a central flaw, it's overly sentimental. Although the story would work better as a tragedy, Forster and Helm can't resist tacking on a mushy love story, involving Crick and combative tax cheat Ana Pascal.
Fiction is one large false start, unable to claw out of the pit of its own toxic self-awareness.
Stranger Than Fiction never rises above its eye-catching premise, ending up as nothing more than a great idea with absolutely nowhere to go.
Much as it strives to be an intelligent story about intelligent people, Stranger Than Fiction is basically Adaptation for Dummies.
"Stranger Than Fiction" is a sterile and pedantic comedy that tells much more than it shows.
There's no joy in seeing Ferrell play an office drone, and the life lessons he learns are of the "All I Really Need to Know I Learned in Kindergarten" variety.
The movie's vigorous efforts to channel Charlie Kaufman and Andrew Niccol, leave it looking rather familiar, not strange at all.
It's the kind of middlebrow film that pretends it's arty and thinks it's so smart.
Stranger Than Fiction is not clever enough to reach Adaptation's upscale audiences or funny or entertaining enough for more mass consumption.
No es ni una comedia, ni una tragedia, ni una historia de amor, ni una fábula. Es ni más ni menos que una idea original mal desarrollada, que no entretiene lo suficiente y que conduce a ninguna parte.
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