Screenwriter Zach Helm's comedy has some quirky points, but it's very sugary and sentimental, and feeble compared to the work of those who have done the same sort of thing better: Woody Allen or Charlie Kaufman.
Stranger Than Fiction (2006)
Rated: 12A
Runtime: 1 hr 53 mins
Theatrical Release: 01-12-2006
Synopsis: One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold's carefully controlled life is turned upside down by this narration only he can hear, and... One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold's carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold's head turns out to be the once celebrated, but now nearly forgotten, novelist Karen "Kay" Eiffel (Emma Thompson), who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay's publisher has dispatched a hard-nosed "assistant," Penny Escher (Queen Latifah), to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert (Dustin Hoffman), who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy's most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal (Maggie Gyllenhaal). As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. Harold and Kay find themselves in unexplored territory as each must weigh the value of a single human existence against what might just be an immortal work of art: a novel about life and death -- and taxes. --© Sony Pictures [More]
Genre: Comedies
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman, Tony Hale
DVD Info
Release:
Mar 2, 2009
DVD Features:
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 - English
- Dubbed - French - Optional
- Subtitles - English, French - Optional
- Subtitles - English - Closed Captioned
Additional Release Material:
- Deleted Scenes
- Featurettes - 1. "Actors in Search of a Story"
- 2. "Building the Team"
- 3. "On Location in Chicago"
- 4. "Words on a Page"
- 5. "Picture a Number: A Look at the Special Effects"
- 6. "On the Set: A Montage of Funny On the Set Moments"
- Interviews - Lindsay Doran - Producer; Zach Helm - Screenwriter
Reviews
Instead of finishing with a bang it peters out, but this existential yarn is still fresh and funny enough to justify taking two hours out of your life.
It might be Charlie Kaufman lite, but this is a great date movie for the discerning - smart, ingenious and heartwarming.
The film struggles under its increasingly weighty pretensions to literary credibility and even tragic status, stumbling towards an unconvincing and cloying conclusion.
Brilliantly written, thoughtful and frequently hilarious comedy with impressive direction and terrific performances from the entire cast.
A sharply clever script, witty direction and terrific performances across the board.
Stranger Than Fiction is not a fluff film. Far from it. Literate and engaging, it may parade around in nonsensical clothes, but just scratch the surface and a vast reservoir of post-modern existentialism is revealed.
The place where the film runs into problems is in trying to decide, like Harold, as to whether or not it is a comedy or a tragedy. As we know, comedy sells much better and that's the direction the film leans.
No es ni una comedia, ni una tragedia, ni una historia de amor, ni una fábula. Es ni más ni menos que una idea original mal desarrollada, que no entretiene lo suficiente y que conduce a ninguna parte.
Stranger Than Fiction never rises above its eye-catching premise, ending up as nothing more than a great idea with absolutely nowhere to go.
An endearing comedy about the spiritual transformation of a rigid, shy, and lonely I.R.S. agent whose life is upended by forces beyond his control.
Stranger Than Fiction has a self-regard that can grate, but Ferrell and Thompson give winning performances that suggest the film's aim is true.
It's a shame that Stranger Than Fiction doesn't quite sustain its premise, but it's so entertaining that you might not even notice.
Consegue desenvolver sua história de forma sempre interessante e com uma sensibilidade que certamente surpreenderá aqueles que forem ao cinema esperando assistir a uma comédia (algo que este longa não é).
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