The power of the story - adapted from the novel by Patricia Highsmith - lies in its simplicity, and Hitchcock’s piles on the sinister layers as only he can.
Strangers on a Train (1951)
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Reviews Counted:39
Fresh:38
Rotten:1
Average Rating:8.7/10
Runtime: 1 hr 48 mins
Genre: Dramas
Synopsis: STRANGERS ON A TRAIN, based on the Patricia Highsmith novel, quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington,... STRANGERS ON A TRAIN, based on the Patricia Highsmith novel, quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but cannot get a divorce from his wife, Miriam (Laura Elliot). So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it will not be so easy to rid himself of the psychopathic Bruno. The film is tightly paced and disturbing from beginning to end, an effect heightened by Hitchcock's inventive camera work, including a terrifying sequence shot through a pair of eyeglasses that have been knocked to the ground. [More]
Starring: Farley Granger, Robert Walker, Ruth Roman, Leo G. Carroll
Starring: Farley Granger, Robert Walker, Ruth Roman, Leo G. Carroll, Patricia Hitchcock, Laura Elliot, Marion Lorne, Jonathan Hale
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Producer: Alfred Hitchcock
Composer: Dimitri Tiomkin
Reviews for Strangers on a Train
Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies.
Hitchcock's handling of the suspense is deadly effective and a quality cast breathe life into some delicious dialogue.
Hitchcock erects a web of guilt around Granger, who 'agreed' to his wife's murder, a murder that suits him very well, and structures his film around a series of set pieces, ending with a paroxysm of violence on a circus carousel.
Patricia Highsmith's malicious writing seems perfectly suited to Alfred Hitchcock.
Two men, a problem, and a crime is an old theme, but the list of works that exploit it perfectly is a short one. Strangers on a Train belongs on it.
Farley Granger became the best-known actor out of the film, but it’s the tour-de-force performance of Robert Walker as Bruno that’s amazing.
Walker's creepy performance ranks among the best found in any Hitchcock film.
the work most necessary for a deeper appreciation of Hitchcock's late masterpieces.
...his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand.
Hitchcock was above all the master of great visual set pieces, and there are several famous sequences in Strangers on a Train.
Perhaps none of Alfred Hitchcock's 1950s films is quite as intense as Strangers on a Train.
To ignore the subtext during the runaway carousel climax is to be absolutely blind.
...one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre.
As sleek, taut and breezy an entertainment as Hitchcock ever made, and a nice hinge moment, almost exactly in the middle of the black-and-white and color phases of his American career.
worthy vehicle that displays Hitchcock's narrative ability and explores some of his favorite themes
Of all the films Hithcock made, this is one of his absolute masterpieces.
Latest News for Strangers on a Train
June 21, 2007:
Frank Miller and Clive Owen to Do Some Old-School Film Noir
Now here's a project that sounds pretty damn cool: Frank Miller directing Clive Owen in an adaptation of a Raymond Chandler story -- and it'll probably be the first in a series! More...
April 12, 2005:
Two New "Strangers" to Meet On DreamWorks' "Train"
Variety lets us know that DreamWorks is currently mounting a new interpretation of Patricia Highsmith's novel "Strangers on a Train." Originally turned into a classic... More...
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