It's rather long-winded and the politics are pretty boring to an outsider.
Strawberry & Chocolate (1993)
Tomatometer
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Reviews Counted:19
Fresh:15
Rotten:4
Average Rating:6.6/10
Theatrical Release:03-07-2009
Synopsis: This acclaimed, Oscar-nominated film set in Cuba follows the unlikely friendship between David (Vladimir Cruz), an uptight conservative, and Diego (Jorge Perrugoria), his flamboyantly gay neighbor.... This acclaimed, Oscar-nominated film set in Cuba follows the unlikely friendship between David (Vladimir Cruz), an uptight conservative, and Diego (Jorge Perrugoria), his flamboyantly gay neighbor. At first David balks at Diego's anti-Castro leanings (which have grown especially strong in light of the government's suppression of homosexuality). However, David soon finds irresistible Diego's access to American contraband (magazines, alcohol, etc.), and with the help of a vivacious neighbor, they negotiate their disappointments and ultimately find the pleasures of life. Combining drama with a bit of humor, this film provides a light, but realistic look at the Cuban Revolution, government persecution of marginalized groups, and the tendency of human kindness to overcome hardship. [More]
Starring: Jorge Perugorria, Vladimir Cruz, Mirta Ibarra
Starring: Jorge Perugorria, Vladimir Cruz, Mirta Ibarra
Director: Tomas Gutierrez Alea, Juan Carlos Tabio
Director: Tomas Gutierrez Alea, Juan Carlos Tabio
Reviews for Strawberry & Chocolate
This first gay filmic offering from Cuba actually plays a good deal better than it sounds.
Strawberry & Chocolate (Fresa y Chocolate) has a special place in cinema history.
Its subject now reveals itself as political and social freedom in Castro’s Cuba and this is what makes it an intelligent companion piece to Memories of Underdevelopment, Alea’s earlier film.
A clear call for tolerance, deftly executed by a director for whom the personal and the political were indivisible.
A superb Cuban film from 1993, a little classic about gay freedom and its aspirations versus Fidel Castro and his Marxist straitjacketing.
Watching his funny and likeable Havana-set comedy is like chancing upon some undiscovered early gem by Godard or Woody Allen, and yet it has a worldliness and drollery that is all its own.
While the central story may lack edge, ‘Strawberry and Chocolate’ remains an entertaining, thoughtful take on the absurdity of confusing sexuality and politics.
It’s a clear-eyed critique of the revolution’s treatment of gay Cubans and, as such, it’s a brave and important piece of film-making.
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