Storm is harrowing, provocative and deeply probing yet quite involving.
Storm (2009)
Tomatometer
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Reviews Counted:9
Fresh:6
Rotten:3
Average Rating:6.2/10
Genre: Foreign Films
Synopsis:
Hannah Maynard, prosecutor at the International Criminal Tribunal in The Hague, is leading a trial against a former commander of the Yugoslavian National Army who is accused of the deportation and...
Hannah Maynard, prosecutor at the International Criminal Tribunal in The Hague, is leading a trial against a former commander of the Yugoslavian National Army who is accused of the deportation and later killing of dozens of Bosnian-Muslim civilians. When a key witness commits suicide, it looks like the case will unravel, however Hannah refuses to give in.
Hoping to uncover new findings, she travels to the witness' burial in Sarajevo and meets his sister Mira who she senses has much more to say than she is willing to admit. Despite threats of violence, Mira reluctantly agrees to testify at The Hague. However, she and Hannah must both risk life and limb to make it to the court, only to discover that there are traitors among their own ranks. --© Film Movement
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Starring: Kerry Fox, Anamaria Marinca, Stephen Dillane
Starring: Kerry Fox, Anamaria Marinca, Stephen Dillane
Director: Hans-Christian Schmid
Director: Hans-Christian Schmid
Screenwriter: Bernd Lange, Hans-Christian Schmid
Studio: Film Movement
Reviews for Storm
Hans-Christian Schmid marshals his material on an epic canvas whereas the subject might have been better suited to a more intense and contained treatment.
A mostly riveting, well-acted and compelling drama that slightly fizzles out during its rushed third act.
Gives conscience a good name and proves the world needs more women warriors to uphold the cause of justice.
In this taut drama about the trial of a Bosnian Serb general from German director and co-writer Hans Christian Schmid, we see how justice can be subverted by interests as banal as international bureaucracy, despite the best intentions...
The portrait may be accurate but Schmid's overly muted take on the story hardly does justice to the stark terror and injustice that lies at its core.
It may sound like a simple lawyer-fights-for-righteousness tale, but this ostensible thriller is really an examination of two courageous female protagonists, both of whom find defeat at the intersection of the personal and the political.
The writing by director Hans-Christian Schmid and Bernd Lange is more stilted and righteous than even the U.N. environs, with its humanity-embracing procedural-speak, calls for.
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