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Movies / On DVD / Dead Man's Bounty
Dead Man's Bounty

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Dead Man's Bounty (2007)

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Reviews Counted:13

Fresh:5

Rotten:8

Average Rating:5/10

Runtime: 1 hr 34 mins

Genre: Westerns

Synopsis: An allegorical Western, Summer Love literally begins with a bang. With the audience still sitting in darkness, a shot rings out. A man appears on-screen… dressed in black… bleeding… dying. It is... An allegorical Western, Summer Love literally begins with a bang. With the audience still sitting in darkness, a shot rings out. A man appears on-screen… dressed in black… bleeding… dying. It is THE STRANGER (Karel Roden), a harbinger of death, a nameless catalyst foreshadowing events to come.

As the film unfolds the characters are introduced not by name, but by what they represent. THE WOMAN (Katarzyna Figura) is a fading beauty who can’t quite conceal the scars of her past. THE SHERIFF (Boguslaw Linda) is an alcoholic, lovelorn shell of a man who is literally mutilating himself over losing The Woman. THE BIG MAN (Krzytof Zaleski) is a fat, jealous cohort of The Sheriff who lusts after The Woman.

One day, The Stranger comes to town on horseback with THE WANTED MAN (Val Kilmer) who he retrieved at the site of a massacre in the film’s opening scenes. The Stranger has come to collect the bounty money. He winds up getting roped into playing The Sheriff’s sadistic gambling game and loses The Wanted Man to the gloating Sheriff. Fed up this self-destructive ploy, The Woman storms out of the saloon. Later that night, The Woman in a state of desperation seduces The Stranger. All hell breaks loose after their night of passion. A posse is formed under the Sheriff’s inept leadership and an epic manhunt ensues.

Told in a highly visual style, Summer Love recounts a tale of love, pain, redemption and death. On a surface the story is as old as time: Man looses Woman...Woman wants a new life…Stranger comes to town. Summer Love relies less on dialogue than upon on fast paced, meticulously composed images. They lead the audience into the hearts and minds of the characters creating the visual tableaux that tell their stories. --© MS Film
[More]

Starring: Boguslaw Linda, Karel Roden, Katarzyna Figura, Val Kilmer

Starring: Boguslaw Linda, Karel Roden, Katarzyna Figura, Val Kilmer

Director: Piotr Uklanski

Director: Piotr Uklanski
Screenwriter: Piotr Uklanski
Producer: Piotr Uklanski, Staffan Ahrenberg, Hamish Skeggs
Composer: India Czajkowska
Studio: MS Films

[See More Credits]

Reviews for Dead Man's Bounty

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1 - 13 (sorted by date; UK critics are listed first)
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In attempting to create a shock effect of the new within the old, the baby is tossed out with the bathwater. The core pleasures of genre still have to be respected.

Full Review Source: PopMatters | comment Comment
05/29/08
Brian Holcomb
Brian Holcomb
PopMatters

Summer Love is fraught with feverish moods, bold imagination and a devilishly complicated exploration of the genre's iconography. It is also maddeningly paced, often like watching paint dry, albeit paint that's the garish tones of buckets of blood.

Full Review Source: Chicago Tribune | comment Comment
02/21/08
Sid Smith
Sid Smith
Chicago Tribune

It’s an odd, disjointed, but curiously appealing effort that could attain cult status if only for the fact that it’s so incredibly strange.

Full Review Source: Boxoffice Magazine | comment Comment
02/11/08
Wade Major
Wade Major
Boxoffice Magazine

Uklanski distances himself from the material at every turn, until it's difficult to distinguish the ironist's wit from the cynic's smirk.

Full Review Source: Los Angeles Times | comment Comment
02/08/08
Los Angeles Times
Top Critic Icon Top Critic

Summer Love feels more like a haphazard assembly of loose-knit components, jumbled together with obvious affinity for all varieties of a distinctly American genre.

Full Review Source: Seattle Times | comment Comment
02/08/08
Jeff Shannon
Jeff Shannon
Seattle Times

By eschewing any attempt at storytelling or character development, a film with all of the Western's fecund imagery and putrid fumes still ends up feeling as flat and distant as a gallery wall.

Full Review Source: L.A. Weekly | comment Comment
02/07/08
Sam Sweet
Sam Sweet
L.A. Weekly

The debut feature of artist Piotr Uklanski alleges to be the first Polish western ... There's no doubt that Uklanski has an eye: the film is full of beautifully composed shots. But that's about the end of its virtues.

Full Review Source: Los Angeles CityBeat | comment Comment
02/07/08
Andy Klein
Andy Klein
Los Angeles CityBeat

This pierogi western disassembles the genre mechanics of the gunslinger movie and makes a Dada collage of its gears and springs.

Full Review Source: Minneapolis Star Tribune | comment Comment
01/10/08
Colin Covert
Colin Covert
Minneapolis Star Tribune

Summer Love has been called the first Polish western and the first Polish spaghetti western, though the truer description might be the first deconstructed art western.

comment 1 Comment
10/17/07
Manohla Dargis
Manohla Dargis
New York Times
Top Critic Icon Top Critic

A mock spaghetti western that manages to be both parody and homage, albeit less western than spaghetti.

Full Review Source: Village Voice | comment Comment
10/16/07
J. Hoberman
J. Hoberman
Village Voice

'Whatever' is likely to be auds' response to this occasionally engaging but often ineptly made exercise in postmodern irony.

Full Review Source: Variety | comment Comment
09/20/06
Leslie Felperin
Leslie Felperin
Variety
Top Critic Icon Top Critic

The first Pierogi Western, Summer Love is such an observant sendup of the Spaghetti variety that it falls into the trap of parody in becoming almost too serious for its own good.

Full Review Source: Hollywood Reporter | comment Comment
09/20/06
Ray Bennett
Ray Bennett
Hollywood Reporter
Top Critic Icon Top Critic

Though unevenly paced, the film is a lot of fun to watch as it tries to skew and at the same time re-create the typical archetypes of the western genre.

Full Review Source: european-films.net | comment Comment
09/20/06
Boyd van Hoeij
Boyd van Hoeij
european-films.net
 
 
1 - 13 (sorted by date; UK critics are listed first)
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