A humane and moving film with real life values.
Sunshine State (2002)
Tomatometer
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Reviews Counted:106
Fresh:85
Rotten:21
Average Rating:7/10
Consensus: Wonderfully acted, but the story and pacing can use a little work.
Runtime: 2 hrs 21 mins
Genre: Dramas
Synopsis:
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums....
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums. Man-eating alligators. Indians, pirates, Spanish gold, sea Island plantations. "People don't realize how hard it is to invent a tradition." - Francince Pinckney
Change is coming to Delrona Beach, Florida, assaults on every front. Here's Marly (Edie Falco) running her father's motel and hating every minute of it. Lester and Greg (Miguel Ferrer and Perry Lang) will stop at nothing to buy the motel, and Dad (Ralph Waite) will never sell. Mom (Jane Alexander) is living in her own dream world down at the community theater and off at the Audubon meetings, saving what's left of the natural habitat.
Marly's wasting away in Margaritaville, dodging her ex-husband (Richard Edson), losing her golf pro (Marc Blucas) and tempted by the new guy in town (Timothy Hutton) even though he is definitely working for the other side.
Here's Desiree (Angela Bassett) back for her first real visit home since she left under a cloud 25 years ago. She doesn't trust her mother Eunice (Mary Alice) and won't be drawn into staying in the black enclave of Lincoln Beach, even though family friend Dr Lloyd (Bill Cobbs) works her pretty hard.
Dr. Lloyd is up against it, fighting off the Plantation in the person of promoter Northrup (Sam McMurray) whose battles with the black community go way back. Trophy husband Dr. Reginald Perry (James McDaniel) does his best to fit in, but he's worried about the old boyfriend Flash Phillips (Tom Wright), and nobody's comfortable with the boy Eunice has taken in, young arsonist Terrell (Alex Lewis)
Chamber of Commerce stalwart Francine Pinckney (Mary Steenburgen) keeps a smile on her face and pom poms high, championing Buccaneer Days through its course. She's too busy to see much of banker husband Earl (Gordon Clapp) whose gambling debts are giving him problems of his own.
Real people. Real places. Welcome to Florida. -- © Sony Pictures Classics
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, Mary Alice, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Timothy Hutton, Tom Wright, Marc Blucas, Alexander Lewis, McMurray, Perry Lang, Miguel Ferrer, Charlayne Woodard, Clifton James, Cullen Douglas, Alan King, Richard Edson, Michael Greyeyes
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Sony Pictures Classics
Reviews for Sunshine State
Being a Sayles film, this has a way of looking at things with more patience and maturity than a plot summary might lead us to expect.
While you could never fault Sayles for speedy exposition, the donkey-cart pace makes you want to whip the thing along.
John Sayles turns his sardonic gaze towards Florida in the latest from the country's number one independent filmmaker.
Neither the acting nor the script elevates the film above a ham-fisted morality play dripping with earnestness.
With Sunshine State, the question isn't so much what you want, but what you can stand.
While most films these days are about nothing, this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world.
Short on thrills but long on human commotion, "Sunshine" is vintage Sayles.
Sayles' approach to his material can be archly didactic, but then there's Bassett and especially Falco, who both bring lived-in qualities to their roles.
Sunshine State lacks the brilliance of Sayles' most dynamic offerings, but, for those who don't mind an unhurried, deliberate narrative pace, this is a worthwhile offering.
Another utterly captivating John Sayles ensemble piece with an incredible sense of a particular place and its personality.
The sand and soil provide merely the foundation for Sayles’ engrossing story about class and race, the search for redemption and the impact of life’s decisions.
One of the best films of the year...calls us to deepen and nourish our connections to family, community, and the place that serves as our little corner of the universe.
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