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Sunshine State (2002)
Tomatometer
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Reviews Counted:106
Fresh:85
Rotten:21
Average Rating:7/10
Consensus: Wonderfully acted, but the story and pacing can use a little work.
Runtime: 2 hrs 21 mins
Genre: Dramas
Synopsis:
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums....
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums. Man-eating alligators. Indians, pirates, Spanish gold, sea Island plantations. "People don't realize how hard it is to invent a tradition." - Francince Pinckney
Change is coming to Delrona Beach, Florida, assaults on every front. Here's Marly (Edie Falco) running her father's motel and hating every minute of it. Lester and Greg (Miguel Ferrer and Perry Lang) will stop at nothing to buy the motel, and Dad (Ralph Waite) will never sell. Mom (Jane Alexander) is living in her own dream world down at the community theater and off at the Audubon meetings, saving what's left of the natural habitat.
Marly's wasting away in Margaritaville, dodging her ex-husband (Richard Edson), losing her golf pro (Marc Blucas) and tempted by the new guy in town (Timothy Hutton) even though he is definitely working for the other side.
Here's Desiree (Angela Bassett) back for her first real visit home since she left under a cloud 25 years ago. She doesn't trust her mother Eunice (Mary Alice) and won't be drawn into staying in the black enclave of Lincoln Beach, even though family friend Dr Lloyd (Bill Cobbs) works her pretty hard.
Dr. Lloyd is up against it, fighting off the Plantation in the person of promoter Northrup (Sam McMurray) whose battles with the black community go way back. Trophy husband Dr. Reginald Perry (James McDaniel) does his best to fit in, but he's worried about the old boyfriend Flash Phillips (Tom Wright), and nobody's comfortable with the boy Eunice has taken in, young arsonist Terrell (Alex Lewis)
Chamber of Commerce stalwart Francine Pinckney (Mary Steenburgen) keeps a smile on her face and pom poms high, championing Buccaneer Days through its course. She's too busy to see much of banker husband Earl (Gordon Clapp) whose gambling debts are giving him problems of his own.
Real people. Real places. Welcome to Florida. -- © Sony Pictures Classics
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, Mary Alice, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Timothy Hutton, Tom Wright, Marc Blucas, Alexander Lewis, McMurray, Perry Lang, Miguel Ferrer, Charlayne Woodard, Clifton James, Cullen Douglas, Alan King, Richard Edson, Michael Greyeyes
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Sony Pictures Classics
Reviews for Sunshine State
...as good as all the performances are, they just can't make up for the fact that it's just too darn long.
The dialogue is sharp and insightful, the cast is superb, the performances are rock-solid, the story is provocative and multilayered.
Sunshine State lacks the kind of dynamic that Limbo offers, and in some ways is a rather indulgent piece.
Exquisitely acted and masterfully if preciously interwoven… [the film] addresses in a fascinating, intelligent manner the intermingling of race, politics and local commerce.
Sayles has a knack for casting, often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors.
Thanks to John Sayles, audiences can rely on a director who understands time and place like no other. If Altman weren't so fried he's make Sunshine State
Sunshine State resembles Sayles' sketchbook more than his finished work, and we might hope that something more polished might spring from it.
At its best, Sunshine State is vintage Sayles, full of richly drawn characters and witty dialogue.
Sunshine State is Sayles at his most Robert Altman-ish, purposefully juggling about a dozen narrative balls in the air, and letting the mundanity and smallish drama of everyday life tell a larger story.
As expected, Sayles' smart wordplay and clever plot contrivances are as sharp as ever, though they may be overshadowed by some strong performances.
Sunshine State has the structure, the theme, the style and, at 141 minutes, the length of a great John Sayles film. What it doesn't have, alas, is the merit.
Sunshine State is an efficient helping of Sayles, insightful even when it's not richly entertaining or imbued with apparent passion.
The sand and soil provide merely the foundation for Sayles’ engrossing story about class and race, the search for redemption and the impact of life’s decisions.
This is geographic history as personal history, a look at a vanishing world before the tide of progress immerses it. It's also superb independent filmmaking.
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