Nasty, brutish and not short enough, this is a muddled, unpleasant film that falls half-way between not very entertaining horror and not-as-smart-as-it-thinks-it-is arthouse.
Surveillance (2009)
Tomatometer
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Reviews Counted:69
Fresh:38
Rotten:31
Average Rating:5.2/10
Consensus: This dark psycho-thriller from Jennifer Lynch, is violent, sharp and baffling, but not to everyone's taste.
Rated: 18 [See Full Rating] for strong bloody violence, pervasive language, some drug use and a scene of aberrant sexuality.
Runtime: 1 hr 37 mins
Genre: Action/Adventure
Theatrical Release:06-03-2009
Synopsis:
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of...
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of stories to figure out and a string of vicious murders to consider.
One zealot cop, a strung out junkie and an eight year old girl all sit in testimony to the roadside rampage, but as the Feds begin to expose the fragile little details each witness conceals so carefully with a well practiced lie, they soon discover that uncovering ‘the truth’ can come at a very big cost… --© Magnolia Pictures
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins, Michael Ironside, French Stewart
Director: Jennifer Lynch
Director: Jennifer Lynch
Screenwriter: Kent Harper, Jennifer Lynch
Producer: Kent Harper, Marco Mehlitz, David Michaels
Composer: Todd Bryanton
Studio: Magnolia Pictures
Reviews for Surveillance
Although her tale involves wild-at-heart lovers racing down a lost highway, Lynch has created a whole different shade of black from anything made by her father.
None of the adult characters have any redeeming qualities, yet the filmmakers have managed to create something watchable despite delving into the blackest corners of human nature.
Surveillance may brim with violence and unease, but it's a puzzle box film you'll have grim fun solving.
Lurching between crude comedy and self-conscious excess, Surveillance is just weird enough to keep your attention.
Things aren’t what they seem, however – something Lynch tries to hide by steeping her tale in wacky humour and over-ripe acting.
Twisted with black comedy, off-kilter performances, unsettling sound design and jolts of violence, Jennifer Lynch’s eminently Lynchian psycho-thriller is far better than its fairly predictable final rug-pull.
Trashy material, arty approach, Lynch’s comeback is harsh, puzzling and mostly weird-bad.
While the narrative is hardly original – it meanders to a predictable but juicily malicious climactic twist – ‘Surveillance’ is never less than a compelling watch.
Structurally, it’s a bit of a muddle but Lynch creates a nicely ominous atmosphere with a sound design that looms up on you like a menacing shadow in a dark alleyway.
A violent B-movie bamboozler that, while fun for a spell, is finally unconvincing.
This crime-spree-procedural-with-a-twist isn’t evidence of a shockingly overlooked talent, but it’s watchable, in a gloating sort of way – although Lynch lacks any fraction of her father’s genius, she’s pretty good with her cast.
Sorry to say it, but you can't help wishing Lynch - daughter of esteemed director David - had extended her 16-year wilderness period, because Surveillance simply sucks.
Director Jennifer Lynch has clearly inherited her father David’s ability to shock.
The scenes are shot in a clever range of styles, the dialogue is as sharp as a Stanley knife. The atmosphere in the cop shop, where the film closes in for the teased-out development before the recapitulation and surprise coda, is irresistibly seedy.
It's a fiendish little thriller, and undeniably sick, but you won't forget it in a hurry.
It’s a bleak piece of Americana with a twisted smile on its face. Sick, if you like, but there’s a real film-maker here and I’ve never seen Ormond and Pullman so effectively not be their usual screen selves.
An enjoyably dark thriller with weird characters and an intriguing central mystery, though the resolution might not be to everyone's taste.
Jen’s tale is nowhere near as complex or subtle as the psycho-trickery regularly peddled by her old man. Still, even if the destination’s a disappointment, the journey makes up for it.
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