Solidly entertaining without being spectacular.
S.W.A.T. (2003)
Tomatometer
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Reviews Counted:10
Fresh:4
Rotten:6
Average Rating:4.7/10
Consensus: A competent, but routine police thriller.
Runtime: 1 hr 57 mins
Genre: Action/Adventure
Synopsis: They’re the best of the best, the elite of law enforcement. And they’ve been recruited for their most dangerous mission ever. Inspired by the popular ‘70s television series, the... They’re the best of the best, the elite of law enforcement. And they’ve been recruited for their most dangerous mission ever. Inspired by the popular ‘70s television series, the explosive action-thriller S.W.A.T. stars Samuel L. Jackson and Colin Farrell, is produced by Neal H. Moritz, directed by Clark Johnson and features an ensemble cast that includes Michelle Rodriguez, James Todd Smith (aka LL Cool J), Brian Van Holt, Jeremy Renner, Josh Charles and Olivier Martinez. Farrell portrays Jim Street, a former S.W.A.T. team member, who along with his partner Brian Gamble (Renner), is thrown off the team in the aftermath of a controversial decision they made during a robbery/hostage standoff. Gamble quits the force in disgust, but for Street, being a policeman is his life and he agrees to a demotion, hoping to someday have the chance to redeem himself and once again wear the privileged S.W.A.T. uniform. Street gets that chance when team commander Dan “Hondo” Harrelson (Jackson) is assigned to recruit and train five top-notch cops for a new Special Weapons and Tactics unit (S.W.A.T.). The other members of the new team Hondo recruits are Deacon “Deke” Kaye (James Todd Smith aka LL Cool J), Chris Sanchez (Michelle Rodriguez), Michael Boxer (Brian Van Holt) and T.J. McCabe (Josh Charles). After weeks of demanding physical training, the new S.W.A.T. team is quickly thrown into action when a notorious drug lord Alex Montel (Olivier Martinez), audaciously offers a $100 million bounty to anyone who can free him from police custody. As they escort the kingpin out of Los Angeles and into the hands of the Feds, they are pursued by a ruthless and well-armed band of mercenaries. Columbia Pictures Presents An Original Film/Camelot Pictures/Chris Lee Production S.W.A.T. starring Samuel L. Jackson, Colin Farrell, Michelle Rodriguez, James Todd Smith (aka LL Cool J), Brian Van Holt, Josh Charles and Olivier Martinez. S.W.A.T. is directed by Clark Johnson. The screenplay is by David Ayer and David McKenna from a story by Ron Mita & Jim McClain. The producers are Neal H. Moritz, Dan Halsted and Chris Lee. Gabriel Beristain, ASC/BSC is the director of photography. The executive producer is Louis D’Esposito. The co-executive producer is Todd Black. The co-producers are George Huang and Amanda Cohen. The production is designed by Mayne Berke. The film is edited by Michael Tronick, A.C.E. The music is by Elliot Goldenthal. The music supervisor is Evyen Klean. Christopher Lawrence is the costume designer. [More]
Starring: Samuel L. Jackson, Colin Farrell, Olivier Martinez, Michelle Rodriguez
Starring: Samuel L. Jackson, Colin Farrell, Olivier Martinez, Michelle Rodriguez, Josh Charles, LL Cool J, Brian Van Holt, Ken Rudúlph, Jeremy Renner
Director: Clark Johnson
Director: Clark Johnson
Screenwriter: David Ayer, David McKenna, Ron Mita, Jim McClain
Story: Ron Mita, Jim McClain
Producer: Neal H. Moritz, Dan Halstead
Composer: Elliot Goldenthal
Studio: Columbia Pictures
Reviews for S.W.A.T.
he high definition SWAT training footage resembles a US Army recruitment ad, appropriate since TV journeyman Johnson imagines downtown LA as an unpatrolled Baghdad, swarming with guntotin' mercenaries pursuing their share of the bounty.
Reasonably entertaining for the first half-hour, after which your eyelids will be heavy.
It's just a shame there's not more substance to the style. Plenty of crash, bang. Not a lotta wallop.
Director Clark Johnson strives for realistic detail and action. Unfortunately, such adherence to technical purity proves to be a weakness for the movie.
Though the film's second half has some good action moments, it never fulfills the promise of its earliest scenes.
One long adrenaline shot that never takes itself seriously and never pauses long enough to worry about making much sense.
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