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Movies / On DVD / Synecdoche, New York
Synecdoche, New York

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Synecdoche, New York (2008)

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Reviews Counted:163

Fresh:109

Rotten:54

Average Rating:6.6/10

Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.

Rated: 15 [See Full Rating] for language and some sexual content/nudity.

Runtime: 2 hrs 4 mins

Genre: Comedies

Theatrical Release:15-05-2009

Synopsis: Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His... Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.

Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.

However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.

The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics [More]

Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener

Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan

Director: Charlie Kaufman

Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics

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Reviews for Synecdoche, New York

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1 - 20 (sorted by date; UK critics are listed first)
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Kaufman, who once dazzled us with his japester's invention, uses those same tools to do something else here. He leaves us reeling.

Full Review Source: Daily Telegraph | comment Comment
05/17/09
Tim Robey
Tim Robey
Daily Telegraph
Top Critic Icon Top Critic

This is a classic Kaufmanesque work: bold, bizarre and utterly baffling.

Full Review Source: Sunday Times (UK) | comment Comment
05/17/09
Cosmo Landesman
Cosmo Landesman
Sunday Times (UK)

This is a movie designed to provoke, entertain and infuriate, that boldly goes into areas where few films from the English-speaking world nowadays dare penetrate.

Full Review Source: Observer [UK] | comment Comment
05/17/09
Philip French
Philip French
Observer [UK]

Synecdoche, New York finally feels bitter, hollow and adolescent: like a gargantuan music video conceived for an emo band with a penchant for Pirandello.

Full Review Source: Independent | comment Comment
05/17/09
Jonathan Romney
Jonathan Romney
Independent

Synecdoche (pronounced Sih-neck-doh-kee, by the way) is beautifully acted throughout, scripted by Kaufman with the same valorous unorthodoxy as his Eternal Sunshine of the Spotless Mind, and shot with real panache.

Full Review Source: This is London | comment Comment
05/15/09
Derek Malcolm
Derek Malcolm
This is London

Somehow, because it resists unlocking, it feels more serious, troubling, significant. It’s as funny as it’s depressing. It’s as brilliant as it is baffling.

Full Review Source: Time Out | comment Comment
05/15/09
Dave Calhoun
Dave Calhoun
Time Out
Top Critic Icon Top Critic

A soul-altering, heart-changing, brain-transplanting masterpiece.

Full Review Source: Film4 | comment Comment
05/15/09
Matthew De Abaitua
Matthew De Abaitua
Film4
Top Critic Icon Top Critic

A toweringly ambitious and bafflingly confusing film that gives a glimpse of the daily battles going on in the director’s mind.

Full Review Source: Times [UK] | comment Comment
05/15/09
Wendy Ide
Wendy Ide
Times [UK]
Top Critic Icon Top Critic

The film is either a masterpiece or a massively dysfunctional act of self-indulgence and self-laceration. It has brilliance, either way: surreal, utterly distinctive, witty, gloomy in the manner that his fans will recognise and adore.

Full Review Source: Guardian [UK] | comment Comment
05/15/09
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

A difficult, maddening and elusive film that’s also intriguing, profound and darkly funny.

Full Review Source: Little White Lies | comment Comment
05/15/09
Matt Bochenski
Matt Bochenski
Little White Lies

For too long Caden (and Kaufman) are raising big issues and only grasping at the edges, which makes the film frustrating to watch.

Full Review Source: Digital Spy | comment Comment
05/15/09
Stella Papamichael
Stella Papamichael
Digital Spy

Like the play within the film, Synecdoche is bravely ambitious, with glimpses of Kaufman’s genius. But it’s also an indulgent slog that only the most diehard Kaufmanites will happily endure.

comment Comment
05/15/09
Rosamund Witcher
Rosamund Witcher
Heat Magazine

It seems churlish to overly criticise. Kaufman’s daring, ambition and frequent moments of beauty and sadness are worth the overindulgence.

Full Review Source: Sky Movies | comment Comment
05/15/09
Rob Daniel
Rob Daniel
Sky Movies

Awash with ideas, imagination and structural daring, Kaufman’s latest is an audacious experiment that repays multiple viewings.

Full Review Source: Total Film | comment Comment
05/15/09
Neil Smith
Neil Smith
Total Film

Despite flaws of intellectual hubris, this is no vanity botch-up like Southland Tales. Fairweather fans may flee towards sunnier pictures. But when it’s in the zone, it’s moving, radical and exhilarating.

Full Review Source: Uncut Magazine [UK] | comment Comment
05/15/09
Chris Roberts
Chris Roberts
Uncut Magazine [UK]

His film is about the way life transmutes into art, but the art he creates is so lifeless as to be alienating. It's a piece poking fun at morbid self-indulgence that becomes morbid and self-indulgent itself.

Full Review Source: Daily Mail [UK] | comment Comment
05/15/09
Christopher Tookey
Christopher Tookey
Daily Mail [UK]

It's a cerebral, smart and downright surreal trip into the far reaches of the mind. I'm still having trouble working out whether it's a work of genius or a self-indulgent pile of guff.

Full Review Source: Daily Mirror [UK] | comment Comment
05/15/09
David Edwards
David Edwards
Daily Mirror [UK]

Charlie Kaufman's playfully indulgent brainteaser is intriguing and annoying in equal measure. The cast are great and take it very seriously but while it is a strangely clever film at times, it is never an easy journey..

Full Review Source: Sunday Mirror [UK] | comment Comment
05/15/09
Mark Adams
Mark Adams
Sunday Mirror [UK]

An epic meditation on the meaning of life that feels like it lasts a lifetime.

Full Review Source: Sun Online | comment Comment
05/15/09
Sun Online

The controlled romantic madness of Kaufman’s best work becomes a world of symbolic and thematic promiscuity at once lifeless and inchoate. Too many ideas interbreed as wit goes to the wall.

Full Review Source: Financial Times | comment Comment
05/15/09
Nigel Andrews
Nigel Andrews
Financial Times
 
 
1 - 20 (sorted by date; UK critics are listed first)
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