A benchmark for this moment in time. To not recognize that is a bad mistake, and a terrible shame.
Synecdoche, New York (2008)
Tomatometer
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: 15 [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:15-05-2009
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
Reviews for Synecdoche, New York
Kaufman's other works at least weaved a thread of hope within all their bends; here, the lack of it is glaring and sinks the viewer's spirit along with the film itself.
If you want a film that is big and true and tough, go see Synecdoche. And then go see it again, because it's so rich with ideas that you can't possibly get them all the first time around.
Relentlessly morose ... this labyrinth of a film is constructed recursively with characters playing other characters ad infinitum, ad nauseam.
There are a million tiny pleasures in Synecdoche, New York, one of the year's oddest, most ambitious movies.
Synecdoche, New York builds a wall of high concept, so high you can't find the good movie hiding somewhere behind it.
The temptation to be emphatic about Synecdoche, New York is overwhelming but should be resisted, because the movie really is a mixed bag. A particularly odd mix.
While not uniformly successful, and potentially disastrous for some viewers, Synecdoche, New York is dazzling for its ambition and risk-taking.
I was struck by the peculiar magic of this film, even moved by it, once I gave up all attempts to understand it as a straightforward linear narrative.
It's hard to say just what kind of movie Charlie Kaufman's directorial debut is, and by the end of it, his film has made a pretty convincing case that it's pointless to try.
Synecdoche, New York comes as close as any film has to explaining the epic indignity of the creative process, how some great works collapse beneath their own abstraction.
Kaufman has created, what could be his masterpiece, by messing with time and editing in such a way that you are just blown away mentally.
The acting is magnificent, especially Hoffman's anguished, distracted, solipsistic portrayal of Cotard.
Charlie Kaufman's Synecdoche, New York turns out to be just as off-putting and as baffling as its title.
With any impressionist piece of work, your feelings overtake you. I was left with Caden slowly suffocating me with his despair.
The cast of Synecdoche, New York is so pitch-perfect and the concept so original that it could be the best choice for people looking to exercise their brain's this holiday season.
while I am still not certain how it all fits together or what it all means, I can tell you that if you do take a chance and go to see it, it will stick in your brain for a long time to come regardless of whether you love it or hate it.
Have your coffee? Feel like a brain teaser? Well, then, let's give the plot of Charlie Kaufman's directorial debut, Synecdoche, New York a try.
It takes enormous assurance and skill to pull off this kind of meta-story, and Kaufman succeeds; nothing in his direction says 'rookie.'
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