The banter by all these sophisticated Manhattanites is ... refreshingly tart.
Tadpole (2002)
Tomatometer
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Reviews Counted:104
Fresh:81
Rotten:23
Average Rating:6.7/10
Consensus: Slight, but good-natured and witty.
Runtime: 77 mins
Genre: Dramas
Synopsis: Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for... Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver)--whose marriage to his professor father (John Ritter) has become routine and uninspiring. Unable to find the right moment to express himself, Oscar slips out to a bar after dinner and finds himself drunk and missing his wallet. Walking home, he bumps into Eve's best friend, Diane (Bebe Neuwirth), a sexy chiropractor who offers to take him home to detox. A backrub leads to a kiss, which results in Oscar and Diane spending the night together. Oscar, feeling he has betrayed his true love, must now prevent Diane--who laughs at the whole situation--from telling Eve what has happened between them. TADPOLE's sophisticated script by Heather McGowan and Niels Mueller plays like Woody Allen minus the neuroticism, taking a potentially exploitative situation and handling it with with intelligence and great wit. Stanford (who was 23 at the time of filming) gives a restrained comic performance as the Voltaire-quoting youth, holding his own with veterans Weaver, Ritter, and Neuwirth--who practically holds the film together with her timing and sexuality. This scant (77 minutes), but charming production, shot on digital video, was a surprise hit at the 2002 Sundance Film Festival. [More]
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter, Robert Iler
Director: Gary Winick
Director: Gary Winick
Screenwriter: Heather McGowan, Niels Mueller
Producer: Dolly Hall, Alexis Alexanian, Gary Winick
Studio: Miramax Films
Reviews for Tadpole
...one of those plotless flicks that manages to squeak by on charm and charisma.
The shoddy techs hurt and will keep people away, but if you can live with the bad craftwork I think you'll enjoy "Tadpole"
A unique and interesting experience, but the hype surrounding the film is much grander than its actual content.
Stuffy, full of itself, morally ambiguous and nothing to shout about.
The cast is simply terrific and they help roll this storyline to its intended completion. Stanford brings an inquisitive richness to his role as the Benjamin Braddock-ish Oscar, a compelling study of boy-to-manhood and all its uneasy discoveries.
While the writers resolve Oscar's emotional state a little too easily, the conflict itself is beautifully handled, especially in Weaver's able hands
[D]emonstrate a certain affinity for the intimate observation of moral waywardness.
Both calculated and breezy, spoofing romantic film cliches while indulging in some of those tactics, Tadpole is a frisky swimmer.
Tadpole is short, charming, well-directed and impressively acted, particularly by Stanford.
A low-budget affair, Tadpole was shot on digital video, and the images often look smeary and blurry, to the point of distraction. Then again, in a better movie, you might not have noticed.
If you can get past the taboo subject matter, it will be well worth your time.
Tadpole is emblematic of the witless ageism afflicting films: Young is cool, and too young is too cool.
Most folks with a real stake in the American sexual landscape will find it either moderately amusing or just plain irrelevant.
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