A movie that gets by on charm even when it's tippytoeing in taboo territory.
Tadpole (2002)
Tomatometer
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Reviews Counted:104
Fresh:81
Rotten:23
Average Rating:6.7/10
Consensus: Slight, but good-natured and witty.
Runtime: 77 mins
Genre: Dramas
Synopsis: Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for... Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver)--whose marriage to his professor father (John Ritter) has become routine and uninspiring. Unable to find the right moment to express himself, Oscar slips out to a bar after dinner and finds himself drunk and missing his wallet. Walking home, he bumps into Eve's best friend, Diane (Bebe Neuwirth), a sexy chiropractor who offers to take him home to detox. A backrub leads to a kiss, which results in Oscar and Diane spending the night together. Oscar, feeling he has betrayed his true love, must now prevent Diane--who laughs at the whole situation--from telling Eve what has happened between them. TADPOLE's sophisticated script by Heather McGowan and Niels Mueller plays like Woody Allen minus the neuroticism, taking a potentially exploitative situation and handling it with with intelligence and great wit. Stanford (who was 23 at the time of filming) gives a restrained comic performance as the Voltaire-quoting youth, holding his own with veterans Weaver, Ritter, and Neuwirth--who practically holds the film together with her timing and sexuality. This scant (77 minutes), but charming production, shot on digital video, was a surprise hit at the 2002 Sundance Film Festival. [More]
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter, Robert Iler
Director: Gary Winick
Director: Gary Winick
Screenwriter: Heather McGowan, Niels Mueller
Producer: Dolly Hall, Alexis Alexanian, Gary Winick
Studio: Miramax Films
Reviews for Tadpole
Tadpole was written in wisps and watery double-entendres by Heather McGowan and Niels Mueller, and the movie is so benign that its proceedings are beside the point.
Tadpole is smart and sophisticated entertainment, whatever its shortcomings, and it deserves to be encouraged.
The film has other problems than credibility. It ends with unseemly haste, it underlines its points too obviously, and its camera moves when it should be still.
No amount of hype will turn this murky pre-frog into anything resembling an indie prince.
...a surprisingly deft little ensemble piece with performance gems, unexpected intimacy and a sneaky sense of humor.
...ripe with New York atmosphere and understated, indelibly human comedic tension.
It's fun, wispy, wise and surprisingly inoffensive for a film about a teen in love with his stepmom.
Neither funny nor moving enough to compare to Rushmore, Murmur of the Heart or any of the other better movies on which it's modeled.
At a meager 77 minutes, Tadpole is short and sweet and also very funny.
In the hands of most other actors, Oscar would come off as a pretentious prig. Stanford makes him seem pathetically, comically, charmingly real.
The movie could use a few more points. Tadpole's main character remains muddled; at least one scene in his journey is missing.
A wannabe comedy of manners about a brainy prep-school kid with a Mrs. Robinson complex founders on its own preciousness -- and squanders its beautiful women.
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