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Take the Lead (2006)
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Reviews Counted:118
Fresh:51
Rotten:67
Average Rating:5.4/10
Consensus: Banderas is charismatic in the lead, and the dance sequences are captivating, but the story is too familiar and predictable.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story,... Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story, the film centers on the dashing Pierre Dulaine, an idealistic New York City ballroom dancer who was the subject of the runaway documentary hit MAD HOT BALLROOM (2005). After spying the desperate and violent actions of a young and angry high schooler named Rock, Dulaine becomes intent on channeling his talent into the service of troubled youth, and almost immediately approaches Rock's tough but well-meaning high school principal (the always radiant Alfre Woodward) with the idea of teaching ballroom dancing to detention students. Were it not for the fact that this is a story pulled from real life, the premise might ring false; the fact that it actually happened only makes the movie more powerful. Though at first greeted with the expected disdain and cynicism by his street-hardened students--gang member Ramos, tough-as-nails Larhette, charming but overweight "Monster," and the lone white boy Kurd--all of them become transformed into dedicated, graceful, and talented dancers, performing the tango and rumba as confidently as they once initiated fistfights. Along with learning the technical steps of the ballroom, these youngsters are also exposed to their toe-tapping teacher's wisdom about life, learning everything from how to treat a lady to how to disengage from pointless violence. Former music-video director Liz Friedlander brings a kinetic energy to the film, and the pulsating hip-hop soundtrack is designed to attract youthful viewers. [More]
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown, Dante Basco, Lyriq Bent, John Ortiz, Jenna Dewan, Yaya Da Costa, Dianne Houston, Laura Benanti, Jonathan Malen
Director: Liz Friedlander
Director: Liz Friedlander
Producer: Diane Nabatoff, Christopher Godsick
Composer: Aaron Zigman
Studio: New Line Cinema
Reviews for Take the Lead
This is never less than watchable but it's shockingly cliched throughout and let down by a badly directed, disappointing climax.
A scattering of dance sequences that fuse hip-hop and classical beats provide a few shots of energy, but Take The Lead otherwise plods through the motions.
While their transformation is predictable, it’s quietly enjoyable, and the teen angle opens the door to romance and gritty gang-war subplots.
Although the film is entirely watchable, the director carelessly exploits the potential for race drama.
Take the Lead is one of those inspiring teachers in the 'hood tales. And it's 'inspired by a true story,' which translated means 'as Hollywood cornball as humanly possible.'
Friedlander knows visual filmmaking, and only here does she shine. When time comes to address the secret lives of her dancing delinquents, the film grows two left feet.
Take the Lead, with its awkward transitions and abrupt blackouts, is the cinematic equivalent of a high school paper written in study hall the hour before it's due.
Liz Friedlander's "Take the Lead" is a fine example of how all the good intentions in the world can't make a poorly conceived movie good, though a good central performance can at least make it bearable.
You could go out and see this feel-good facsimile and be moderately entertained, or rent Mad Hot Ballroom and feel yourself becoming genuinely moved by the real thing.
There, the music shifts from Lena Horne to hip hop Gershwin remixes, and on to a dance-off finale and closing credit sequence that’s the only rousing part of this movie.
Think of it as the fictionalized version of last year's engaging documentary Mad Hot Ballroom, with teen dancers and sexier moves. It is also more formulaic and clichéd, thanks to the predictable plot and theme.
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