A scattering of dance sequences that fuse hip-hop and classical beats provide a few shots of energy, but Take The Lead otherwise plods through the motions.
Take the Lead (2006)
Tomatometer
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Reviews Counted:118
Fresh:51
Rotten:67
Average Rating:5.4/10
Consensus: Banderas is charismatic in the lead, and the dance sequences are captivating, but the story is too familiar and predictable.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story,... Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story, the film centers on the dashing Pierre Dulaine, an idealistic New York City ballroom dancer who was the subject of the runaway documentary hit MAD HOT BALLROOM (2005). After spying the desperate and violent actions of a young and angry high schooler named Rock, Dulaine becomes intent on channeling his talent into the service of troubled youth, and almost immediately approaches Rock's tough but well-meaning high school principal (the always radiant Alfre Woodward) with the idea of teaching ballroom dancing to detention students. Were it not for the fact that this is a story pulled from real life, the premise might ring false; the fact that it actually happened only makes the movie more powerful. Though at first greeted with the expected disdain and cynicism by his street-hardened students--gang member Ramos, tough-as-nails Larhette, charming but overweight "Monster," and the lone white boy Kurd--all of them become transformed into dedicated, graceful, and talented dancers, performing the tango and rumba as confidently as they once initiated fistfights. Along with learning the technical steps of the ballroom, these youngsters are also exposed to their toe-tapping teacher's wisdom about life, learning everything from how to treat a lady to how to disengage from pointless violence. Former music-video director Liz Friedlander brings a kinetic energy to the film, and the pulsating hip-hop soundtrack is designed to attract youthful viewers. [More]
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown, Dante Basco, Lyriq Bent, John Ortiz, Jenna Dewan, Yaya Da Costa, Dianne Houston, Laura Benanti, Jonathan Malen
Director: Liz Friedlander
Director: Liz Friedlander
Producer: Diane Nabatoff, Christopher Godsick
Composer: Aaron Zigman
Studio: New Line Cinema
Reviews for Take the Lead
While their transformation is predictable, it’s quietly enjoyable, and the teen angle opens the door to romance and gritty gang-war subplots.
This is never less than watchable but it's shockingly cliched throughout and let down by a badly directed, disappointing climax.
Ballroom dancing... Is there anyone else out there who things we should give it a rest?
Instead of the authentic excitement of last year's documentary, Mad Hot Ballroom, Take the Lead presents contrived teen melodrama.
"Take the Lead," which is laden with stereotypes to the point of offense, veers closer to minstrel-show territory.
The filmmakers who dreamed up Take the Lead probably got a bonus for coming up with such a marketable concept. Mix a little Dangerous Minds with a bit of Save the Last Dance and, voila, a flick with across-the-board appeal.
You could go out and see this feel-good facsimile and be moderately entertained, or rent Mad Hot Ballroom and feel yourself becoming genuinely moved by the real thing.
A harmless crowd-pleaser that may overstay its welcome (closing in on two hours), but, for the most part, keeps on its toes.
Take the Lead offers few if any surprises to anyone who’s seen either the aforementioned Breakin’, Beat Street, or, most obvious of all, Dangerous Minds.
"[Eventually] contrived conflicts force Banderas to the sidelines, and it all starts to live up to the phony uplift promised by the title."
Liz Friedlander's "Take the Lead" is a fine example of how all the good intentions in the world can't make a poorly conceived movie good, though a good central performance can at least make it bearable.
As sweet and well-meaning as parts of the movie are, the filmmakers don't appear to trust their teenage audience to take this world seriously.
After a few lessons in tough love, these kids all start to act like transfer students from Fame.
In a genre that's been ground into dust, Take the Lead pretty much succumbs to its every pitfall. But the film has some aces that, while not fully emerging from its sleeve, do manage to peek out from the cuffs.
The shift in tone between scenes in the classroom and scenes outside is just too jarring.
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