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Movies / On DVD / Ten Canoes
Ten Canoes

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Ten Canoes (2007)

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Reviews Counted:57

Fresh:56

Rotten:1

Average Rating:7.7/10

Consensus: Ten Canoes combines adventure, comedy, and anthropology to explore an Aborigine folk tale both fallibly human and legendary. Helmer Rolf de Heer depicts a barely represented oral tradition with a clean style.

Rated: 15

Runtime: 90 mins

Genre: Foreign Films

Theatrical Release:01-06-2007

Synopsis: A thousand years ago, tribal times in the north of Australia. Ten men, led by old Minygululu, head into the forest to harvest barks for canoe making. It is the season of goose egg... A thousand years ago, tribal times in the north of Australia. Ten men, led by old Minygululu, head into the forest to harvest barks for canoe making. It is the season of goose egg gathering. Minygululu learns that young Dayindi, on his first egg hunting expedition, has taken a fancy to Minygululu's third and youngest wife. Tribal law is in danger of being broken: Minygululu deals with the situation by telling Dayindi an ancestral story, a story that will take a very long time to tell, all through the next days of canoe making and swamp travelling and goose egg gathering. This is that story: Long ago, in mythical times, just after the great flood covered the whole land, Ridjimiraril lives with his three wives, wise Banalandju, jealous Nowalingu and beautiful young Munandjarra, in a camp with others, including Birrinbirrin, a fat man who loves honey. Some distance away, in the single men's camp, lives Yeeralparil, Ridjimiraril's younger brother. Yeeralparil has no wives yet, and none promised, but is keen on that beautiful Munandjarra, who he feels should be his. One day, a Stranger approaches, without warning. The men are alarmed, especially when the Stranger claims he is there to trade in magic objects. He is given food and sent on his way. The sorcerer comes to warn the men of the possible dangers, but declares the camp is safe. Life goes on as normal. After a fight with Banalandju, Nowalingu vanishes. Ridjimiraril is convinced his beloved second wife was taken by the Stranger, but the consensus is that being jealous, she simply ran away. Months later an old uncle reports having seen Nowalingu in a distant camp with the Stranger. The men are galvanised into action: a war party sets off, but without Yeeralparil. Both brothers cannot go... if the older one is killed, the younger one must take over his wives. Yeeralparil hangs around the main camp in the hope of seeing Munandjarra, but Banalandju ensures a safe distance between the two. The war party returns, without Nowalingu: the old uncle's eyes must have deceived him. Ridjimiraril, still convinced it was the Stranger who took Nowalingu, slides into depression, until Birrinbirrin runs into camp with the news that the Stranger has been seen nearby. Ridjimiraril tells Birrinbirrin he's going to talk to the Stranger but grabs his spears and takes off, Birrinbirrin puffing behind. Deep in the bush they see the Stranger, squatting for a shit. Ridjimiraril launches a spear. An inspection of the body, however, reveals that Ridjimiraril has killed the wrong stranger. There are sounds of approaching people. Ridjimiraril breaks the spear off and they quickly hide the body. But they do not hide it well enough. Days later Ridjimiraril and Birrinbirrin are accosted by a group of warriors including the Stranger. They have identified the spearhead in the Stranger's brother's body as having been made by Birrinbirrin, and they want payback. Ridjimiraril confesses, and the location and time for the payback ceremony is agreed to. A sad little procession of men leaves camp for the payback. This time Yeeralparil can go, as only one person is to be speared, either Ridjimiraril or his payback partner. Yeeralparil argues that it should be he, young and nimble, who ought partner his brother. Ridjimiraril agrees, and together the two brothers face the spears from the aggrieved Stranger's tribe. That is the law, and the law must be upheld. Ridjimiraril is speared. Justice done, he is helped back to camp. Banalandju tends his wound, but instead of getting better, as he should, Ridjimiraril declines: it is as if a bad spirit has invaded his body. Even the sorcerer can do nothing. In his last moments before dying, Ridjimiraril staggers to his feet and begins to dance his own death dance...then he collapses and dies. After all the correct ceremony has been performed, Yeeralparil finally moves into the main camp, to be with his Munandjarra. But he's inherited a great deal more than he expected... Minygululu's story is over, the goose egg hunters return home. Dayindi has learnt his lesson, and when opportunity presents, he declines...maybe some day he will have a wife, but it won't be someone else's. [More]

Starring: Crusoe Kurddal, Jamie Gulpilil, David Gulpilil, Richard Birrinbirrin

Starring: Crusoe Kurddal, Jamie Gulpilil, David Gulpilil, Richard Birrinbirrin, Peter Minygululu, Frances Djulibing, Philip Gudthaykudthay

Director: Rolf De Heer, Peter Djigirr

Director: Rolf De Heer, Peter Djigirr
Screenwriter: Rolf De Heer
Producer: Rolf De Heer, Julie Ryan
Studio: Palm Pictures

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Reviews for Ten Canoes

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1 - 20 (sorted by source; UK critics are listed first)
Text View | 1 2 3 >> >|
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Although it sounds like the Aboriginal answer to a Harrison Ford kidnap thriller, this is actually a richly textured parable.

Full Review Source: BBC | comment Comment
06/05/07
Stella Papamichael
Stella Papamichael
BBC
Top Critic Icon Top Critic

Here Aboriginal identity is neither defined by nor subordinated to Western culture, but shown in its own right as a repository of wisdom, myth and sly humour.

Full Review Source: Channel 4 Film | comment Comment
06/12/07
Anton Bitel
Anton Bitel
Channel 4 Film
Top Critic Icon Top Critic

A rare and valuable movie, providing fascinating insight into another culture without pandering or being stuffy. Seek it out -- swim if you have to.

Full Review Source: Empire Magazine | comment Comment
06/01/07
Sam Toy
Sam Toy
Empire Magazine
Top Critic Icon Top Critic

A richly layered folk-myth drama set among Australian Aborigine tribes in the Northern Territory.

Full Review Source: Guardian [UK] | comment Comment
06/02/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

Alongside the witty tone, the film is brilliantly well-paced and technically exquisite.

Full Review Source: Shadows on the Wall | comment Comment
05/23/07
Rich Cline
Rich Cline
Shadows on the Wall

Wise, warm, witty fare.

Full Review Source: Time Out | comment Comment
10/30/06
Geoff Andrew
Geoff Andrew
Time Out
Top Critic Icon Top Critic

It’s rather wonderful.

Full Review Source: Times [UK] | comment Comment
06/02/07
Wendy Ide
Wendy Ide
Times [UK]
Top Critic Icon Top Critic

Gulpilil is the canny, subtle and funny narrator of 10 Canoes, a film of unutterable beauty, hypnotic fascination and universal humanity.

Full Review Source: Arizona Republic | comment Comment
08/02/07
Richard Nilsen
Richard Nilsen
Arizona Republic

A new and different kind of cinematic mythmaking.

Full Review Source: Austin Chronicle | comment Comment
08/04/07
Josh Rosenblatt
Josh Rosenblatt
Austin Chronicle

Flows like water, and has a deceptively gentle pull that proves hard to escape.

Full Review Source: AV Club | comment Comment
05/31/07
Noel Murray
Noel Murray
AV Club

Provided you're not Puritanical about frontal nudity, this powerful picture based on a myth is otherwise a delight, and a cinematic preservation of a so-called primitive people's oral tradition.

Full Review Source: Black Collegian | comment Comment
05/31/07
Kam Williams
Kam Williams
Black Collegian

It taunts us with resolution and mysteries, then slaps our hand for reaching out for a conclusion. That's a natural expectation that the filmmakers are happy to subvert.

Full Review Source: Boston Globe | comment Comment
06/22/07
Wesley Morris
Wesley Morris
Boston Globe

One of the most arresting and original offerings in Cannes this year.

Full Review Source: Boxoffice Magazine | comment Comment
06/24/06
Richard Mowe
Richard Mowe
Boxoffice Magazine

The particular and universal aspects of myth converge in an often humorous drama that illuminates the indigenous Yolngu people yet also echoes creation stories from other cultures.

Full Review Source: Chicago Reader | comment Comment
06/21/07
Andrea Gronvall
Andrea Gronvall
Chicago Reader

Australian director Rolf de Heer deftly mingles two styles of storytelling: cinema and aboriginal oral customs.

Full Review Source: Chicago Sun-Times | comment Comment
06/22/07
Bill Stamets
Bill Stamets
Chicago Sun-Times
Top Critic Icon Top Critic

A wonderful celebration of storytelling that should translate to any audience in any world.

Full Review Source: Combustible Celluloid | comment Comment
07/06/07
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

The story often takes a backseat to the characters, their myths and customs, which all seem very convincing.

Full Review Source: ComingSoon.net | comment Comment
05/29/07
Edward Douglas
Edward Douglas
ComingSoon.net

People in Australia a thousand years ago laughed more spontaneous than we do today and they had no clothes, cell phones, TVs, condos: 'Ten Canoes' is so well told you can believe it.

Full Review Source: Compuserve | comment Comment
05/23/07
Harvey S. Karten
Harvey S. Karten
Compuserve

It is rare that film can transport its audience to a strange, unfamiliar, yet entrancing world. Ten Canoes, an Australian movie that tells an ancient Yolngu tale, presents such an extraordinary experience.

Full Review Source: culturevulture.net | comment Comment
07/10/07
Emily S. Mendel
Emily S. Mendel
culturevulture.net

This is also not exactly what you'd call action-driven; it's a bit slow and talky. But those who are patient and open-minded will be rewarded with its unique rhythms and beauty.

Full Review Source: Deseret News, Salt Lake City | comment Comment
06/21/07
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City
 
 
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Latest News for Ten Canoes

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September 23, 2007: Provided you're not Puritanical about frontal nudity, this powerful picture based on a myth is otherwise a delight, and a cinematic preservation of a so-called primitive people's oral tradition. Opens in new window
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June 12, 2007: Trailer & Poster review. Opens in new window
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