More than enough violence to make it a profoundly moral film; and Arnold's a whizz.
The Terminator (1984)
Genre: Science-Fiction/Fantasy
Starring: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Lance Henriksen, Paul Winfield
Screenwriter: James Cameron, Gale Anne Hurd, William Wisher
Producer: Gale Anne Hurd
Composer: Brad Fiedel
Reviews
At the end of both movies, I find myself overcome by an extraordinary swell of emotion.
A surprisingly vicious little film, filled with indiscriminate, un-PC killings and a rough-edged feel that makes it utterly compelling.
One of the most effective science fiction films of recent decades.
A tense, slickly executed thriller, which sent a relatively unknown Austrian bodybuilder screaming into the world's spotlight.
It's a work of pulp art to see the future guv of California rip out someone's heart.
Gritty, clever, breathlessly paced, and dynamic despite the dark shadow of doom cast over the story, this sci-fi thriller remains one of the defining American films of the 1980s.
As a souvenir of a kind of B-grade action cinema that has all but vanished, The Terminator should find a small place in the heart of every movie addict.
A sci-fi actioner as relentless as its cyborg title character. The megabudget sequels are very good, but the low-budget original is still the best.
The movie's scares are intense, but the notion that the Terminator would move on to politics is even more frightening.
This was the film that demonstrated to the dubious everyone that the musclebound fellow with that outrageous accent might be more than just another passing blip on our pop culture radar screens.
This is a monster movie, and the monster's role fits Mr. Schwarzenegger just fine.
The birth of a genre unto itself, followed by an even more ambitious sequel.
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