A rare cinematic experience on every level. There's been nothing like it on theater screens for a very long time, and it serves as a reminder of that fact.
Tetro (2009)
Tomatometer
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Reviews Counted:69
Fresh:47
Rotten:22
Average Rating:6.2/10
Consensus: A complex meditation on family dynamics, Tetro's arresting visuals and emotional core compensate for its uneven narrative.
Genre: Dramas
Synopsis: Almost four decades after he wrote THE CONVERSATION, Francis Ford Coppola returns to original screenwriting with this personal drama about an Argentine-Italian family. TETRO stars Vincent Gallo and... Almost four decades after he wrote THE CONVERSATION, Francis Ford Coppola returns to original screenwriting with this personal drama about an Argentine-Italian family. TETRO stars Vincent Gallo and features editing from the legendary Walter Murch. [More]
Starring: Vincent Gallo, Alden Ehrenreich, Maribel Verdú, Klaus Maria Brandauer
Starring: Vincent Gallo, Alden Ehrenreich, Maribel Verdú, Klaus Maria Brandauer, Carmen Maura
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Screenwriter: Francis Ford Coppola
Producer: Francis Ford Coppola
Composer: Osvaldo Golijov
Studio: American Zoetrope
Reviews for Tetro
A dazzling mess... it throbs with an excess of emotion and idealistic, cuckoo daring.
The Coppola who was master of the 1970s ... is back, and that should make every cinephile weep with joy
There's still much to admire in the visual craft and offbeat cultural sampling Coppola heroically brings to a homogenized cinema, but Tetro rides off the rails.
Maddening and fascinating in a way that only a true artist could possibly manage, and piddling questions like whether or not the film "works" are completely beside the point.
Coppola has made some of the greatest films ever made in traditional narrative mode, but whenever he goes into his indie-outsider dance, he stumbles badly.
The movie is alive from beginning to end, and it's a pleasure to see at least one big-name director get out of the prison of his own reputation.
For beauty, vision and the palpable sense of a veteran filmmaker still reveling in possibility, it's something to see.
Even the most deftly executed scenes are smothered in the Oedipal weight of past betrayals while they struggle to support the operatic melodrama that unfolds.
Equally engrossing and moving, depicting that people can't run from memories or argue with their heart.
Here is a film that, for all of its plot, depends on characters in service of their emotional turmoil. It feels good to see Coppola back in form.
Francis Ford Coppola gives you a lot to digest here and I appreciate that.
It is long and slow and, most importantly, lacking in dramatic tension.
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