The film raises important questions about learning, authority and discipline, and is honest enough to admit that it doesn’t really have any answers.
The Class (2008)
Tomatometer
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Reviews Counted:136
Fresh:132
Rotten:4
Average Rating:8/10
Consensus: Energetic and bright, this hybrid of documentary style and dramatic plotting looks at the present and future of France through the interactions of a teacher and his students in an inner city high school.
Theatrical Release:27-02-2009
Synopsis: Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a... Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a school year. François Begaudeau--an actual teacher and the author upon whose work the film was based--is utterly convincing as François, an openminded teacher in charge of a classroom of youngsters from a wide variety of backgrounds. Of course, the mere fact that he's older and in a position of authority causes his students to challenge him on many occasions. François is stuck in the middle. In the teacher conferences, he butts heads with the harsher adults who don't appear to have any sympathy for their students. In class, his attempts to be lenient and understanding are somehow misinterpreted and he finds himself arguing with the kids that he so clearly wants to help. As the school year progresses, tensions rise, until François finds himself in a position he never imagined he'd be in. Unlike his more formally written early films like HUMAN RESOURCES and TIME OUT, Cantet proves that he has an ability to work in a more improvisational manner. Shooting on HD and working with a cast of young non-actors, he allows THE CLASS to breathe, resulting in a fictional drama that has the spirit and energy of a documentary. His startlingly assured ensemble brings the new, culturally diverse France of the early 21st century to striking life. [More]
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi, Juliette Demaille, Dalla Doucoure, Arthur Fogel, Vincent Caire, Olivier Dupeyron, Patrick Dureuil
Director: Laurent Cantet
Director: Laurent Cantet
Screenwriter: Laurent Cantet, François Begaudeau, Robin Campillo
Producer: Carole Scotta, Caroline Benjo, Barbara Letellier, Simon Amal
Studio: Sony Pictures Classics
Reviews for The Class
Cantet, whose parents were both teachers, carries it on and he elicits marvellous performances from a cast who are, we're assured, not merely playing versions of themselves.
By casting aside rose-tinted spectacles and *Blackboard Jungle*-style gritty-delinquency clichés, *The Class* pays so much more respect to teachers, and to pupils. Goodbye Mr Chips, indeed.
It is a talky film that avoids happy endings and easy solutions. Instead, it grips with a tale that feels remarkably true to life and leaves you with an even greater appreciation of the people seeking to inspire future generations.
In addition to being one of the best school films of recent times, this is a troubling but gripping exposé of the cultural and racial divisions crippling Europe. Intelligent, well acted and deeply discomfiting.
A sparkling, clever work whose ensemble cast impresses, surprises, wrongfoots and disappoints you in exactly the same fashion a class might its teacher.
French director Laurent Cantet does something miraculous with it in this fresh piece of humanist, realist, optimist cinema.
The Class confirms and extends Cantet's status as one of the masters of European social cinema. It's a hugely important film.
This is a fleeting glimpse into a rarely examined world. Despite its honest portrayal of teachers as overworked, underpaid and underappreciated, you even leave the cinema wanting to teach.
Don't let the aura of subtitles and arthouse put you off - this is probably the finest schoolroom drama ever made.
An uncompromising and humane look at issues facing both teachers and students, The Class is an uplifting, thought-provoking, and it's only when the final bell rings you realise just how good it is.
Partially improvised, using a real (ex-)teacher and real schoolkids in note-perfect performances, Cantet’s film recreates life in a tough inner-city school with breathtaking authenticity.
At its best, The Class has the authenticity of documentary. But even at its best, it lacks the structure and emotional rewards of drama.
Raw, challenging and, refreshingly, with no cheesy ending, this is a classroom drama Hollywood could never have made.
It is not often a director creates exactly what they set out to achieve, but when Laurent Cantet decided to use a school as a “microcosm of the world” it turned out perfectly.
How could anyone not love Laurent Cantet’s The Class (Entre les murs)? Last year’s Golden Palm winner is the best film about schoolteaching I have seen: a wise, funny cry of helplessness before the tsunami of anarchy that can be school-age adolescence.
Cantet has offered another subtly incisive study of work, class and family.
To say this is an important film would perhaps be offputting — but it is, and please don’t be offput.
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