Earns top marks for creating its own truth.
The Class (2008)
Tomatometer
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Reviews Counted:136
Fresh:132
Rotten:4
Average Rating:8/10
Consensus: Energetic and bright, this hybrid of documentary style and dramatic plotting looks at the present and future of France through the interactions of a teacher and his students in an inner city high school.
Theatrical Release:27-02-2009
Synopsis: Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a... Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a school year. François Begaudeau--an actual teacher and the author upon whose work the film was based--is utterly convincing as François, an openminded teacher in charge of a classroom of youngsters from a wide variety of backgrounds. Of course, the mere fact that he's older and in a position of authority causes his students to challenge him on many occasions. François is stuck in the middle. In the teacher conferences, he butts heads with the harsher adults who don't appear to have any sympathy for their students. In class, his attempts to be lenient and understanding are somehow misinterpreted and he finds himself arguing with the kids that he so clearly wants to help. As the school year progresses, tensions rise, until François finds himself in a position he never imagined he'd be in. Unlike his more formally written early films like HUMAN RESOURCES and TIME OUT, Cantet proves that he has an ability to work in a more improvisational manner. Shooting on HD and working with a cast of young non-actors, he allows THE CLASS to breathe, resulting in a fictional drama that has the spirit and energy of a documentary. His startlingly assured ensemble brings the new, culturally diverse France of the early 21st century to striking life. [More]
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi, Juliette Demaille, Dalla Doucoure, Arthur Fogel, Vincent Caire, Olivier Dupeyron, Patrick Dureuil
Director: Laurent Cantet
Director: Laurent Cantet
Screenwriter: Laurent Cantet, François Begaudeau, Robin Campillo
Producer: Carole Scotta, Caroline Benjo, Barbara Letellier, Simon Amal
Studio: Sony Pictures Classics
Reviews for The Class
By rough estimate, maybe 80 percent of the movie consists of these student-teacher slanging matches, but it's engrossing.
Makes a devastating point of what can happen to the quietly struggling student while the squeaky wheels are being oiled.
... filled with a world of real detail that blurs the line between documentary and fiction.
Cantet has created a deceptively simple film that gradually deconstructs a Hollywood genre.
The Class is not just the best film released thus far this year. It may be the most gripping.
The film could be a documentary for as natural as it feels, and the students -- all non-actors -- charmingly convey the silly, reckless enthusiasm of youth.
Powerful, mesmerizing and full of moments that linger long after the bell rings.
Those looking for answers to many of the most pressing junior high student/teacher issues won't find them here. What they will discover is a well-dramatized list of many of the most vexing questions.
Shot as if it were a documentary and using real students to play (and help create the roles of) the students, The Class is strikingly authentic in its details.
The effect of this sobering, funny and, finally, enlightening, portrait is one of enormous sympathy for all parties in the education tango.
With an improvisational cinéma-vérité style and untrained student actors playing the kids, Cantet's quasi-documentary captures the dynamics of one suburban school and the multicultural learning curve that all of Europe is on today.
At the heart of The Class is an exciting rapport between a teacher and his students, one in which language and ideas are constantly being tossed about and questioned.
The movie's documentary-like approach helps minimize the usual syrupy Hollywood dramatics inherent in these types of pictures.
There is some deeply moving material in The Class and those who enjoy realistic interplay between characters who blur the line between fiction and reality won't want to miss it.
This is one of the screen's most rewarding explorations of the teacher/student relationship in any language. Every voice we hear makes sense; every opinion means something.
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