The Class isn't a documentary, but the scenes have the loose, slow-cooked feel of a director turning on a camera and waiting to see what happens -- think Mike Leigh meets Frederick Wiseman.
The Class (2008)
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Reviews Counted:136
Fresh:132
Rotten:4
Average Rating:8/10
Consensus: Energetic and bright, this hybrid of documentary style and dramatic plotting looks at the present and future of France through the interactions of a teacher and his students in an inner city high school.
Theatrical Release:27-02-2009
Synopsis: Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a... Winner of the Palme d'Or at the 2008 Cannes Film Festival, master French director Laurent Cantet's THE CLASS is an absorbing journey into a multicultural high school in Paris over the course of a school year. François Begaudeau--an actual teacher and the author upon whose work the film was based--is utterly convincing as François, an openminded teacher in charge of a classroom of youngsters from a wide variety of backgrounds. Of course, the mere fact that he's older and in a position of authority causes his students to challenge him on many occasions. François is stuck in the middle. In the teacher conferences, he butts heads with the harsher adults who don't appear to have any sympathy for their students. In class, his attempts to be lenient and understanding are somehow misinterpreted and he finds himself arguing with the kids that he so clearly wants to help. As the school year progresses, tensions rise, until François finds himself in a position he never imagined he'd be in. Unlike his more formally written early films like HUMAN RESOURCES and TIME OUT, Cantet proves that he has an ability to work in a more improvisational manner. Shooting on HD and working with a cast of young non-actors, he allows THE CLASS to breathe, resulting in a fictional drama that has the spirit and energy of a documentary. His startlingly assured ensemble brings the new, culturally diverse France of the early 21st century to striking life. [More]
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi
Starring: François Begaudeau, Nassim Amrabt, Laura Baquela, Cherif Bounaidja Rachedi, Juliette Demaille, Dalla Doucoure, Arthur Fogel, Vincent Caire, Olivier Dupeyron, Patrick Dureuil
Director: Laurent Cantet
Director: Laurent Cantet
Screenwriter: Laurent Cantet, François Begaudeau, Robin Campillo
Producer: Carole Scotta, Caroline Benjo, Barbara Letellier, Simon Amal
Studio: Sony Pictures Classics
Reviews for The Class
The movie is bursting with life, energy, fears, frustrations and the quick laughter of a classroom hungry for relief.
...fresh and believable and its [non-actor] students act like real teenagers.
Wherever you were schooled, in public schools or private, in the slums or in the suburbs, you will recognize yourself in this film and laugh and beam and cower.
While not as emotionally resonating and insightful as other classroom dramas such as Freedom Writers or as captivating as Dangerous Minds, at least it's mildly compelling, quietly moving and consistently true-to-life.
What will rouse empathy and exasperation, though, is one teacher's attempt to act more like a colleague or mentor than an intimidating white male authority figure%u2014a teacher a student can call un ami.
Since the subject of The Class is education, let's begin by giving it the grade it deserves: A+, with extra credit for no neatness.
While The Class is not a documentary, Cantet has created a film so life-like that it seems as if the filmmaker has captured actual footage of a real classroom.
Laurent Cantet's scrappy mesmerizer of a movie about a life in learning sneaks up and floors you.
The drama unfolds with the pace and tone of a nature show. Like watching exotic cats hunt unattractive prey, you're on neither team's side -- at least, not for long.
Under Cantet's microscope, the school is a junction of urban lives. Raw and realistic, The Class picks apart the competing interests that hold kids, teachers and parents at loggerheads.
It's an absorbing, provocative film. When he left teaching, Francois Begaudeau became a writer and a film critic. He could make a career onscreen now, if he chose.
[The film] understands that emotional authenticity is just as important as entertainment value.
The Class -- winner of the Palme d'Or at the 2008 Cannes Film Festival -- is in a class by itself.
It's a remarkably intelligent film, which adroitly portrays a microcosm of society through a high school classroom.
[An] energetic, tightly focused, intriguing feature that has the look and feel of a documentary.
What emerges is not only an insight into the French education system but also some universal truths about life in today's classrooms.
The drama of The Class is organic, rising from the hundreds of daily exchanges in a schoolroom...The lessons you take away will be purely personal.
The Class is intense and wonderfully written, to the point where some of the in-class scenes will leave you squirming and hyperventilating.
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