Pretty to look at but not much food for the brain.
The Devil Wears Prada (2006)
Tomatometer
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Reviews Counted:181
Fresh:136
Rotten:45
Average Rating:6.7/10
Consensus: A rare film that surpasses the quality of its source novel, this Devil is a witty expose of New York's fashion scene, with Meryl Streep in top form and Anne Hathaway more than holding her own.
Theatrical Release:05-10-2006
Synopsis: A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor... A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. [More]
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Daniel Sunjata
Director: David Frankel
Director: David Frankel
Screenwriter: Aline Brosh McKenna
Producer: Wendy Finerman, Joseph M. Caracciolo
Composer: Theodore Shapiro
Studio: 20th Century Fox
Reviews for The Devil Wears Prada
A lightweight chick flick that, despite gaping plot holes, will likely be a favorite of anyone who adores pretty women in pretty clothes.
The comic appeal of The Devil Wears Prada is the cinematic equivalent of a size 2 -- wafer-thin and ultimately lacking in meat and substance.
There's a surprisingly sharp little sting hidden in this sleek throwback to old-fashioned Hollywood melodramas about sweet young things thrown into the lairs of hard-edged harpies who value their careers above all things womanly.
The Devil Wears Prada is an awards season attraction that somehow escaped into the temperate months of the super and the silly, all the more reason to applaud its audacity.
Streep is as intimidating as a Chinese emperor looming over a kowtowing subject.
By now, it's gotten boring to talk about how wonderful Streep is, but her delicate underplaying in Devil is extraordinary.
The Devil Wears Prada is a movie that revels in pleasure: the pleasure of fashion, of luxury, of power and ambition. It's also a tremendous pleasure to watch.
Single-handedly, Streep lifts Prada from adequate chick flick into intoxicating character study.
Prada just feels authentic, from its glossy look to the specific and sometimes curious behavior of the secondary and tertiary characters. To watch it is like being entertained while getting an anthropological crash course.
A flat comedy that pretends to cluck its tongue at gloss and glitz and the surface tension of lives attuned only to appearances, then spends most of its time drooling over them.
If there's scarcely an original moment in this breezy lark of a quipfest/cautionary tale, it's a dead-on, pricelessly funny send-up of the cutthroat, back-stabbing fashion world, where a size-6 dress size is cause for alarm.
The Devil Wears Prada is sassy, smart and sophisticated, a Working Girl for the new millennium.
Well-crafted, pleasantly paced and, above all, acted with true verve and wit.
I realize the book was a best-seller. But the movie is just another Cinderella story that only Meryl Streep brings to above-average level.
It's all very light and pleasurable, and for fashionistas it's as fun as a sample shoe sale.
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