It's the smart dialogue and plain old darn witty ideas at the core of this film that lift it above the average Hollywood comedy.
The Ex (2007)
Tomatometer
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Reviews Counted:98
Fresh:18
Rotten:80
Average Rating:4.3/10
Consensus: The Ex suffers from inept direction and characters that are either unsympathetic or plain unpleasant to watch.
Runtime: 1 hr 32 mins
Genre: Comedies
Synopsis: This rollicking and slightly absurd comedy from director Jesse Peretz (FIRST LOVE, LAST RITES) begins when Tom Reilly (Zach Braff) loses his promising chef job at a swanky New York restaurant. He... This rollicking and slightly absurd comedy from director Jesse Peretz (FIRST LOVE, LAST RITES) begins when Tom Reilly (Zach Braff) loses his promising chef job at a swanky New York restaurant. He is compelled to move to small-town Ohio to take a job with his father-in-law (Charles Grodin) at an advertising agency to support his wife, Sofia (Amanda Peet), and newborn son. Tom's adjustment to the rhythms and rituals of the office world is awkward at best, and complicated by the presence of an old high-school flame of Sofia's (Jason Bateman), a passive-aggressive paraplegic who schemes to get Sofia back. Meanwhile, Sofia must cope with the shock of switching roles from powerful big-city lawyer to stay-at-home suburban mom. Young working parents will identify with the familiar conflicts presented here as the embattled Tom and frustrated Sofia struggle to make sense of their new responsibilities. Braff purveys his patented nerdy charm as a nice guy whose behavior becomes more and more manic as the rug gets continually pulled out from under him, and Peet is a lovely screen presence even as her character's patience and enthusiasm fade in less than attractive ways. Their performances blend wry intelligence with out-and-out slapstick, and they are supported by a superb ensemble cast including Amy Poehler, Amy Adams, Paul Rudd, Donal Logue, and Mia Farrow. While some of the situations and jokes border on tasteless, it's the smart kind of gross-out humor of a Farrelly Brothers or Jay Roach film, and the film never never loses its heart, as embodied by Braff and Peet. [More]
Starring: Zach Braff, Amanda Peet, Jason Bateman, Donal Logue
Starring: Zach Braff, Amanda Peet, Jason Bateman, Donal Logue, Fred Armisen, Mia Farrow, Paul Rudd, Charles Grodin, Amy Poehler, Amy Adams, Josh Charles
Director: Jesse Peretz
Director: Jesse Peretz
Screenwriter: David Guion, Michael Handelman
Producer: Ted Hope, Anne Carey, Anthony Bregman
Composer: Ed Shearmur
Studio: Weinstein Company
Reviews for The Ex
The so-called comedy, which is really only a sacrificial lamb tossed in front of the "Spider-Man 3" behemoth, is about as funny as a foreclosure notice.
If you're looking for Braff's most average movie to date, The Ex marks the spot.
It simultaneously feels truncated and interminable, and it grossly wastes the comic talents of Amy Poehler, Paul Rudd, Donal Logue and Charles Grodin, making his first movie in 13 years.
Braff has a natural likability, but the screenplay gives him so many stupid, far-fetched and annoying things to do that The Ex loses credibility quickly.
The movie's rhythm is off-kilter and oddly paced. Moreover, the film's script seems truncated at points; a lot of the plot details feel underdeveloped.
It's good to have Grodin back onscreen after an extended absence; it's just a shame it has to be in this dreary graveyard of wasted opportunities.
Destined to land on Comedy Central and make Jon Stewart, Stephen Colbert and South Park fans wonder, "Who ever put good money into that?!"
The next time Grodin attempts a comeback, it would be so great if he avoids movies where he might be upstaged by a sandwich stunt.
You can pinpoint the exact moment when The Ex loses its nerve, strangeness and soul.
Braff and Bateman engage in a beautiful comedic, verbal ballet that made me laugh much more than I would have thought I would, given what I knew about the story before watching the film. Both actors display on-target timing.
Jesse Peretz directs, and note how he treats the script (by David Guion and Michael Handelman) in its broadest slapstick elements. Not too well, that's how.
Aspiring filmmakers should check it out as a lesson plan from Bizarro World: Make a movie that's the exact opposite of The Ex and it could be the funniest film ever made.
Similar to Are We Done Yet? this insipid comedy pits the idiotic hero against an impossibly perfect villain. As a result, the movie has no intelligent, truthful or sympathetic characters.
By displaying a little more nerve, the filmmakers could have had a vicious pit bull of a comedy, on the order of Kingpin or The War of the Roses.
So much of comedy is in the timing, though, and The Ex doesn't quite know when to quit. Or at least move on.
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