If Braff really wants a movie career, he is going to have to do better than this mediocrity. Why should anyone pay to see this when they can catch his act on TV for free?
The Ex (2007)
Tomatometer
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Reviews Counted:98
Fresh:18
Rotten:80
Average Rating:4.3/10
Consensus: The Ex suffers from inept direction and characters that are either unsympathetic or plain unpleasant to watch.
Runtime: 1 hr 32 mins
Genre: Comedies
Synopsis: This rollicking and slightly absurd comedy from director Jesse Peretz (FIRST LOVE, LAST RITES) begins when Tom Reilly (Zach Braff) loses his promising chef job at a swanky New York restaurant. He... This rollicking and slightly absurd comedy from director Jesse Peretz (FIRST LOVE, LAST RITES) begins when Tom Reilly (Zach Braff) loses his promising chef job at a swanky New York restaurant. He is compelled to move to small-town Ohio to take a job with his father-in-law (Charles Grodin) at an advertising agency to support his wife, Sofia (Amanda Peet), and newborn son. Tom's adjustment to the rhythms and rituals of the office world is awkward at best, and complicated by the presence of an old high-school flame of Sofia's (Jason Bateman), a passive-aggressive paraplegic who schemes to get Sofia back. Meanwhile, Sofia must cope with the shock of switching roles from powerful big-city lawyer to stay-at-home suburban mom. Young working parents will identify with the familiar conflicts presented here as the embattled Tom and frustrated Sofia struggle to make sense of their new responsibilities. Braff purveys his patented nerdy charm as a nice guy whose behavior becomes more and more manic as the rug gets continually pulled out from under him, and Peet is a lovely screen presence even as her character's patience and enthusiasm fade in less than attractive ways. Their performances blend wry intelligence with out-and-out slapstick, and they are supported by a superb ensemble cast including Amy Poehler, Amy Adams, Paul Rudd, Donal Logue, and Mia Farrow. While some of the situations and jokes border on tasteless, it's the smart kind of gross-out humor of a Farrelly Brothers or Jay Roach film, and the film never never loses its heart, as embodied by Braff and Peet. [More]
Starring: Zach Braff, Amanda Peet, Jason Bateman, Donal Logue
Starring: Zach Braff, Amanda Peet, Jason Bateman, Donal Logue, Fred Armisen, Mia Farrow, Paul Rudd, Charles Grodin, Amy Poehler, Amy Adams, Josh Charles
Director: Jesse Peretz
Director: Jesse Peretz
Screenwriter: David Guion, Michael Handelman
Producer: Ted Hope, Anne Carey, Anthony Bregman
Composer: Ed Shearmur
Studio: Weinstein Company
Reviews for The Ex
The result is a wildly uneven movie, with some big laughs here and there. For the most part, though, it looks like the kind of concept comedy that was pitched to Ben Stiller, Will Ferrell, Vince Vaughn or Owen Wilson, and didn't quite make the cut.
The real scene-stealer is neighbor kid Wesley (Lucian Maisel), whose burger-eating trick is either an amazing special effect or a true freak of nature.
The Ex is shrill when it means to be irreverent. It's frustrating to see the lead performers squandering their collective talent in a movie that fails to match the fun and pathos of their TV work.
Like many woeful major studio releases that run under 90 minutes, The Ex seems arbitrarily edited to squeeze in extra screenings before it's killed by word-of-mouth.
Though there are giggles here and there, the film is inexcusably unfunny.
In its cast, especially Bateman, The Ex has better material than it seems to know what to do with.
Bateman, who played a good guy on Arrested Development, proves rather easy to despise, especially once his malevolence loses its comic edge.
Jason Bateman taps into the delicious mean-spiritedness of that show beautifully in this big-screen turn.
Nothing is more of a downer than a movie that trots out a great cast and stumbles; that tries to be cutesy and fails.
The Ex is extremely, exceptionally, extraordinarily forgettable, just like that stuff on the small screen.
It's a comedy with a few good gags, a completely wasted cast and all the signs of a project that has undergone unnecessary emergency surgery.
Blink and you might miss Mia Farrow, who turns up as Peet's slightly addled mother. She probably should have stayed home.
So much of comedy is in the timing, though, and The Ex doesn't quite know when to quit. Or at least move on.
Braff and Bateman engage in a beautiful comedic, verbal ballet that made me laugh much more than I would have thought I would, given what I knew about the story before watching the film. Both actors display on-target timing.
The next time Grodin attempts a comeback, it would be so great if he avoids movies where he might be upstaged by a sandwich stunt.
It's like undercooked lasagna: lots of layers, but the flavors never blend.
After watching "The Ex" I wondered whether actors are bothering to read scripts anymore before accepting a job. In the case of Jesse Peretz's film, the story is as mean-spirited as it is ridiculous.
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