I’ve taken the same entheogens many times. But I never cried.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: 12A [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:26-01-2007
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
In its own quest to out-puzzle the conclusion of Kubrick's 2001, The Fountain will madden audiences' receptivity not for answers, but coherency.
Part historical fantasy, part lovers-separated-by-death weeper, part New Age fever dream, The Fountain isn't truly horrible, just very, very silly.
Darren Aronofsky’s troubled and long-anticipated metaphysical project centering on the theme of man’s quest for immortality finally emerges as too fevered and convoluted.
Though narratively flawed (first and third segments are truncated and difficult to follow), the film is more effective visually, asking the audience to succumb to Aronofsky's visionary world that takes full advantage of the medium's expressive qualities.
Pic's hippy trippy space odyssey-meets-contempo-weepy-meets-conquistador caper starring Hugh Jackman and Rachel Weisz suffers from a turgid script and bears all the signs of edit-suite triage to produce a still-incoherent 95 minutes.
It's one of those movies that I can see myself watching over and over again...with or without the aid of external stimulants.
Had this been the 'Sixties hippies would have watched it stoned . . .
The Fountain is beautiful, gripping and utterly transcendent. It's the best film of 2006.
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December 05, 2008:
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