This is a movie anyone seeking a truly original experience at the cinema should partake in.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: 12A [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:26-01-2007
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
One of the year's best films, an emotionally honest drama steeped in love and loss.
It's more original than any mainstream or art film I've seen over the past few years.
A cinematic poem. With a careful, artistic hand, it paints images, scenes, more meant to invoke a feeling. It's a matter of life and death.
"Let's end this," Tomas exclaims at the film's beginning. Too bad it takes another ninety five minutes to get the deed done.
The new Darren Aronofsky film, "The Fountain," is high-concept, metaphysical trash that shoots for the heavens--literally--but which likely will leave some wondering how they paid eight bucks to walk through the doors of hell.
If you're a movie lover who despairs that big-scale filmmaking today consists of little more than a self-cannibalizing system of clichés, then you need, badly, to see The Fountain, soon.
If one would simply switch on their inherent intellect, they'd see the truth behind the tricks -- that is, that The Fountain is an astonishing, evocative experience
If Aronofsky's just gone over my head, I'm prepared to live with that.
A cross between Stanley Kubrick's 2001 and Douglas Sirk's delicious 1954 soaper, Magnificent Obsession.
This is a terrifically stylish film that warrants multiple viewings to catch the director's subtleties of story and multi-layered meaning.
I will credit Aronofsky with creating a few very beautiful scenes in the movie. They would be lovely in a coffee table book, but serve no purpose in a film that elicits little compassion for its characters or understanding of its story.
Strange, sometimes unintelligible, and hard to follow at times, "The Fountain" is a psychedelic, gentle meditation on love and death.
Incredibly honest and emotional filmmaking that's not afraid to slip up in its pursuit of something beautiful.
'The Fountain' is a stunning, elegant movie. I found it hypnotic and almost painfully beautiful.
The Fountain is the story of a gifted artist who dared to reach for the stars and paid for his ambition with a really stupid movie.
Even with Aronofsky's unrestrained indulgence, this is an intellectually and sometimes emotional stimulating experience.
Aronofsky has made a work that is completely his own -- one that exists in its own universe and is ultimately not much like anything else.
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December 05, 2008:
Aronofsky Hopes for "Reassembly" of The Fountain ![]()
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November 21, 2007:
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This weekend For the first time this decade, a new release seems set to take over the number one spot during the busy Thanksgiving holiday weekend at the North American box... More...
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